#these guys are a staple what can i say. some of the og's.

[set-phasers-to-whump]

i'll save myself (you'll save me too)

prompt: bloody knife

whumpee: neal caffery

fandom: white collar

it's been a minute since i've hurt neal but he remains so very whumpable :) hope you enjoy!!

The knife clatters to the ground, impossibly loud in the complete stillness of the night. The blade is shiny and red with his blood and beneath the feeble glow of a single streetlight it’s almost iridescent. 

He can’t stop looking at it, even as he presses his hands against the hole in his stomach hard enough to make spots appear in his vision. 

He sinks to the ground in an uncoordinated manner, back to the rough brick of the wall behind him, legs splayed out in front of him. His blood is warm against his palms but with every second that passes he feels colder and colder. 

He should get up. Find someone to help him. But he isn’t strong enough for that. He feels like he is glued to this spot. 

He doesn’t want to die here. Alone. 

An idea suddenly takes shape in his mind, and once the full force of it hits him he wonders why on earth he hadn’t thought of it at once. 

He steels himself for the upcoming pain, then very slowly and very carefully crawls forwards until his hand wraps around the hilt of the knife. 

He returns to his position against the wall, presses his left hand back to his stomach and adjusts his grip on the knife with his right hand. 

This will be difficult. The knife’s hilt and blade, and his hand, are slick with blood and it is very difficult to maintain a firm grip. But whatever he can manage will have to be enough. 

He uses the tip of the knife to lift the leg of his pants, then positions it against his tracker. All he needs is to either cut through the band or damage the tracker itself. From then, it’ll be a matter of minutes - he hopes - until the FBI realizes something is wrong, until they send someone after him - he wants Peter, but he’ll take absolutely anyone, even if they want to arrest him. 

He doesn’t much like his chances of sawing through the band of the tracker, and this seems like the option more likely to result in further injury to his person, so he opts instead to simply attack the tracker. 

He goes after it with the knife, careful as he can be, striking the thing over and over until bits of plastic litter the ground around him. He keeps at it until the light on it goes out. Please let this be enough, he thinks, letting the knife clatter back to the ground. 

He presses his right hand back atop his left, dizzy and trembling from the exertion, and waits. 

He’s all but unconscious when he becomes aware of a presence nearby. He opens his eyes with a considerable amount of effort and squints into the shadows near the mouth of the alley. 

“Hello?” he asks. His voice barely sounds like his own. 

Hurried footsteps, and then who but Peter should step beneath the glow of the streetlight? 

“Neal!” Peter exclaims, his eyes going wide as he takes in the scene in front of him.  Neal feels the absurd desire to stand up, to distance himself from his own blood spilled across the asphalt. 

As it is, though, he can barely remain conscious while doing absolutely nothing but sitting still. 

Peter speaks to someone. Neal catches the word ambulance and breathes a sigh of relief. An ambulance means, probably, that he’s not going to be arrested - at least not right now. He’s going to the hospital, which is hardly his favorite place, but they’ll be able to fix him. Stop the pain and the dizziness and all of it. 

“Just hold on a little longer,” Peter says, and he’s crouched beside Neal now, hand on his shoulder and looking far too worried for Neal’s liking. 

“It’s that bad, huh?” Neal asks. The words jumble themselves together on their way out of his mouth, but Peter understands anyway. 

“It’s pretty bad. But you’ll be okay.” He says it so confidently that Neal has no choice but to believe him. 

“I’ll be okay,” he agrees, hands slipping off of his torso. He lacks the energy to replace them. His eyes want to close, no matter how much he knows he should keep them open. 

“Hey, don’t do that. Don’t pass out,” Peter commands, and then his hands are pressing into Neal’s stomach, far too hard. It hurts, a lot, and Neal’s eyes open again. 

“Ow,” he mutters, trying and failing to push Peter’s hands away. 

“Sorry,” Peter says. “Just - try to stay awake, okay? An ambulance will be here any minute.”

“Okay,” Neal replies, very quietly. He’s so tired and so dizzy and he wants nothing more than for everything to fade into nothingness, but Peter wants him to stay awake, so he will. 

When the ambulance arrives a few minutes later, he’s still stubbornly conscious, and he doesn’t pass out until they’ve reached the hospital and a nurse injects him with anesthesia. 

--

He wakes up with a dull pain in his gut and a floaty sensation in his head. Memories float to the surface of his mind - blood, brick, pain - and he doesn’t bother trying to latch onto them. 

He’s in the hospital. He knows that much. When he opens his eyes he finds himself in a small, dark room. There is a chair beside his bed and a figure sitting in it, slumped to the side in a way that will surely cause problems when he wakes. 

It’s Peter. He’s asleep, snoring occasionally, and there’s a book lying flat on the floor as though it’d slipped out of his grasp when he’d fallen asleep. 

A warm feeling forms in his chest at the thought that Peter is here, that he’d stayed. That he is not alone. 

He falls back asleep with a soft smile on his face. 

thanks for reading!!! hope you liked <33333

[dr-jem-nutcase]

MvA: The M Files take-a-peek, pt. 4

Two chapters today. First one's rather small so it's not exactly a double feature

Chapter 4

Is it "shh" or "sshh"? You tell me. Artbook says "ssh"

And like that, slight panic starts not in the streets but in the White House

Maaaaan, someone sure let the White House front lawn go

Mr. President of the 1960s/70s, even though you definitely don't look one bit like John Kennedy or Lyndon Johnson, you've described a handful of times in America between your time & now (2023, in case some reads this in 2024 and beyond)

That is one heck of a color scheme for Monger's hair. Just about as mysterious as the president's hair: like how does that combover work? Or what is that supposed to be?

So there's a basic map of the facility we all came to know and love...or loathe...whatever. The artbook has a much bigger description of it, a LOT more detail. But you can kinda figure out where everything is in this picture in comparison with the movie, kinda maybe sort of. Hm

So, I guess Link is no longer on dry ice or whatever. Yay, I think

Chapter 5

Welp, so much for that mushroom cloud footage. Explosions were almost a comedy staple in 2000s cartoons, like the cooler & wagon crash landing on top of the SUV in Over the Hedge or the chain reaction explosions of the hunters' trucks courtesy of a propane tank in Open Season. Why Insecto's origin story was changed to exclude that...idk

First off, you wouldn't want any amount of radiation exposure in that close amount of space, especially with little aeration holes...in front of kids, no less

What does the kid second from the left have in his mouth? Definitely does NOT look like gum

I'm getting major bridal Thumbelina vibes from the girl in pink, that hair

Hey, is this a parody of Spiderman's origin story? Imma say yes! Japan's own superhero, Grubman!

No, I think we ended up with Spiderman meets Bruce Wayne. Or just a rich guy who had to undergo a good amount of medical treatment for a very abnormal bug bite. Boo hoo. But moving on!

How quickly did Insecto grow? And that would probably determine how she got from a museum to a marketplace. (Yes, Insecto is female. Confirmed by the artbook)

Whitewashing some of the locals or just tourists? You tell me

That's some lazy Kanji right there

So Japan already had experiences with giant monsters AND robots? I mean, there was Godzilla (who got blown up in the B&W OG movie), but still. My curiosity is P-I-Q-U-E-D. If Japan had this sort of problem before 1950, good luck convincing the Japanese public that monsters are just stuff of myth & legend. Japan must've been the chillest place in the world when the monsters made their debut

Indestructible. But not for an alien robot

RIP, pilot. We thank you for your service. You are forever in our hearts

Ooh, W. R. Monger-- "CAPTAIN! Captain W. R. Monger." If you don't know what this reference is, I'm very sorry for you

I know English is becoming more & more of an international language, but I'm not sure that it was THAT international in the 1960s/70s. So a Japanese general that was fluent in English back then was a miracle

So, was Insecto just there for that one night or was she just sitting there in downtown Tokyo for more than a day?

I just realized Monger's hair turned gray really quickly in between BOB's story and this one...and now it's brown again

For the record, his eyes aren't blue

Bright lights...like stadium lights, movie premiere searchlights, interrogation spotlights, tell me more

Oh! Christmas lights. I'm disappointed in you, Tokyo. Wait, there's stage lights...and a disco ball!! Lol! I stand corrected

I guess Monger names his monsters on the fly. As is shown in the movie, "Escar...gantua"

"We saved the city!"

"At what cost?"

"Ummmm...the city"

Goodbye, downtown Tokyo

Those lights must've bleached the fur on Insecto's back

And so...there they go, about to tow a 350-foot colossus across the world's biggest ocean and a few hundred miles inland through Cali and into Nevada

I just realized...how does Insectosaurus almost always stand upright if most, if not all insect species are invertebrates? A lot of invertebrates have exoskeletons, so hers is probably underneath all that fur. Pardon this quack/wannabe entomologist

I think there's two more posts after this, which both should be coming this week. Whoopee!!!

FYI: yes, I have been the proud owner of a hardcover copy of The Art of MvA since the early 2010s. You will have to hunt me down for it if you want it for yourself

Now if you'll excuse me, I'm going to mourn the end of Phantom of the Opera 😭😭😭😭😭😭😭😭😭😭

[cadybear420]

@thecartoongoodies

MC

They're far from the worst MC we've had. I don't mind getting to play as a more messy and unpopular character, and some of their dorky moments are cute. But they're still a major downgrade from the OG MC.

OG MC had a lot more variety in what they could do or how they could respond to things. You got to basically build their character through the story (and being able to choose your "clique" has been a staple of HSS since the Prime game). Your MC was allowed to be proactive and have a spine, they actually took their conflicts seriously, you sometimes even had options in whether or not to be more forgiving. They weren't forced to be too perfect despite what people claim, nor were they forced to be an asshole. And when you could make them an asshole, there would be actual consequences.

Then we get switched over to a MC who is just so much more stiff than the first one. You get zero choice in what theatre crew role or what acting part you get. Book 1 constantly forces them to agonize over wanting to get their first kiss with Rory on stage. They're Caillou's parents levels of passive in a lot of conflicts and there are many characters like Clint, Natalie, and Amber who go through the story with complete impunity for their behaviors. You're pretty much incapable of making them do anything that could yield actual consequences.

That being said, they do get significantly better by Book 3. Still a bit stiff as a character, but most of the aforementioned problems do seem to go away. And the Aunt Wendy plot was pretty heartwarming.

Twin

They're an alright character. Not much that's memorable about them though, but I did find their arc with Amber in Book 1 pretty interesting.

Rory

They're decent enough but they don't really have much character growth in the trilogy and they're easily the weakest of the 3 LIs. It was also really obnoxious how Book 1 forced our MC to crush on them so much.

That being said, I do like their background of how they do theatre productions to fund their mom's cancer treatment. Having them also be the "for us to date, we have to be close friends first" type is also a nice touch.

Ajay

I'm probably one of the few HSS:CA-critical people that actually likes Ajay. Although he wasn't all that appealing to me in Book 1, he quickly grew on me in Book 2 when we got to explore his family issues- it makes him a lot more of a sympathetic character as opposed to the other characters who have acted dickish to MC (Clint, Natalie, Trevor). I'm proud to say that I had my MC romance him and I enjoyed it all the way.

I still maintain that him siding against MC in Book 1 was just straight up OOC, considering he literally warned MC about Danielle being problematic at the start of the book.

Skye

Skye is the one thing I think that both the CA enjoyers and the CA-critical people can agree on being perfectly written. Seriously, her character and her storyline is just solid all the way through and I have a hard time finding any actual legitimate criticism of it.

For the record I think Skye's and Ajay's storylines are easily the strongest points of HSS:CA. Shame that that's where like 90% of the effort for that trilogy went into tho lol

Erin

She's nice. But she doesn't really have a lot of personality outside from that, and you could probably remove her from the trilogy and lose nothing important. That being said, she's still leagues better than all the other supporting characters introduced, such as...

Clint and Natalie

They're nothing more than annoying useless Rory simps. I do like that they move on from Rory by the end, but it doesn't hold a lot of weight considering the story has given me no other reason to care about them.

Trevor

Wait, who's he again? Sorry I keep forgetting... oh right, that useless dickish techie guy. Yeah he's so useless as a character that I keep forgetting he even exists. And now the only thing that makes me remember him is how many times I've forgotten he exists.

Danielle

Danielle is such a half-baked antagonist. I do appreciate them trying to make her less outwards as an antagonist than that of OG HSS, and how they do have her go to therapy at some point. But I still have a ton of issues.

Danielle was kind of just a nothing character in most of Book 1, outside of them making it incredibly obvious that she had it out for MC. And then all of a sudden after she comes forward, they want us to hear her side of the story? And she can only go to therapy if we pay diamonds to hear her side?

And the way they deal with her afterwards is so weird. Rather than expelling her for purposefully getting OG MC's leg broken, she only gets kicked from the play but sticks around in the school because potatoes. But despite still being around, the writers have pretty much thrown her away as a character and the one cameo she does have has less value than a family guy cutaway gag. It feels very much like she only existed as someone for MC to compete over Rory with.

[sun-undone]

First and foremost, well done on a season, three recap of OBX 👏🏾  you never cease to fail, with being thorough with your communication and personal opinions on the show with valid insight that ( I feel) gives the pates a run for there money if they ever get a chance to listen to your podcast.

Now..

It was ABSOLUTELY frustrating not seeing the group together building friendships as it’s been in the OG seasons. If there’s any main reason the season suffered it’s because of that for sure.

Im happy big John had his one season and got out😂 that dude messed up half of the season pulling John b away from the group for his treasure hunt. And even when they all United, the guy definitely showed his true shallowness.

But it makes sense on why you mention what Cleo said with pope. “You have a lot to lose before you have nothing” this phrase is the staple of this season as there never really all together. By the end of it they remember they really only have each other to lose. P4L

And I don’t believe the pates are gonna grant your wish of taking topper fully out sadly. On all the OBX 4 promotion stuff toppers tagging along with them everywhere they go. But as long as sarah struggles with daddy issues topper will always be on the back burner lol.

Similar to you I don’t understand why they don’t go deeper with Mike’s past. ( hopefully I’m not speaking to soon😬) but if jiera is gonna be a thing in season 4 I feel like they should atleast explore it more.

- Rafe looks like the type to bring a gun to a fight so I’m not sure I wanna see him and fight JJ. This could be crazy to say but I can see rafe being hell bent on revenge towards the pougues in season 4 and either switching sides help them for some crazy reason. I low key don’t want to lose rafe though he is a lunatic.( but I’m not as good as you are with these prediction 😂)

What I would love for you to talk about in a future episode on diver down:

- a recap of jirera journey of a friendship to relationship from season 1-3

- what might Cleo’s past look like and how will it effect pope or the group?

- now that the pogues will be on a completely new adventure with this new treasure opportunity do you think along they the way a new Pogue gets introduced? Since everybody else is boo’d up 😂 now.

-As you said I look forward to seeing them go back to the basics of what the organic OBX shows was I hope they don’t Rush too much into heavy drama right off the back in season four and they allow us to adjust to the characters and how they’ve changed for ATLEAST two episodes.

Thank you for the season three recap 🤘🏾🥂

first off, thank you so much for always taking the time to be so kind and supportive and to start discussions like these!!!! it's all very very much appreciated and i'm really grateful to be a part of this community that's so passionate about our stupid little boat show 🤗

i already talked a ton about the lack of pogues and Big John and the nothing to lose theme, so i'm gonna skip over to the Topper topic cause shocker, i still have more thoughts about him. i really do have faith that the pates have finally decided on treating him as a fully antagonistic force against the pogues, which includes Sarah, and i absolutely cannot see her ever going back to him again. ever. if the pates even hint at that, i will take back everything i ever said about them slowly but surely taking more care with writing their female characters. i think her entire arc this season was her facing her fears of vulnerability and finally, fully allowing herself to rely on the pogues and to be part of that family. i don't think she's going anywhere, but especially not back to Topper. i really really want Jarah B to be solid moving forward, at least in s4. it'd be so nice to have them as like the steady married couple while Cleope are in the honeymoon stage and Jiara are probably gonna have to face more angst from outside forces. but even if Jarah B have their issues, i really don't think Topper will be involved. it was heavily implied in episode 9 that the pogues realized that it was him who burnt down the Chateau, so i just could not imagine Sarah having even a sliver of sympathy for him anymore. whatever he ends up doing in s4, Sarah won't be looking his way. if the pates have any respect for her character, that is.

moving on to the Rafe and JJ point, i could definitely see Rafe just constantly walking around with a gun now, but i'd like to think that JJ is scrappy enough to be able to disarm him so it'd be an even fight. you'll have to pry my wish for a Rafe/JJ fight out of my cold, dead hands i swear!!!! but really though, even if they don't have a good old fashioned fist fight (which i feel like were also lacking in s3 cause there were so many damn guns instead 😒), i'd still love to see them have more interactions in s4 anyway. i feel like they haven't had a scene together in ages, and with Rafe having his weird soft spot for Kie, i feel like the potential is just staggering for some really great conflict there and protective boyfriend JJ moments, which i hope the pates know would make everyone absolutely feral. even before Jiara was a thing, Rafe knew that calling Kiara "pretty hot for a pogue" in front of JJ would piss him off, so 👀���� imagine the kind of shit he could pull knowing that they're actually dating now

and i'd like to hear more about your Rafe prediction cause i'm intrigued but don't fully understand it!!

thanks so much for sending topics for me to talk about in the next episode, i'm excited to think about them more!

[my-gf-is-kazuichi-soda]

Hey no hate, you realize that you’re literally in love with your own version of Kazuichi right? Literally no one in this entire world thinks of Kazuichi the same way as you.

Heeheehee, yes! Ngl my ego is having a feast with that last sentence.

You've unlocked an essay! Have fun reading lol.

Honestly though, I do think of my Kazuichi as an extension of the og Kazuichi, but like, in a different timeline. Not an entirely different personality, even if it seems like that because I draw fanart of her at different points in time without much of an explanation.

I've been thinking about that rule of fandoms post I reblogged earlier. I feel like I only barely scratched the surface of a thought with my tags, but I only had a few minutes left in my break at work. Also, wasn't sure how personal I wanted to get on someone else's post.

At what point does fan-written character development end and "an entirely new character, completely different from the original" begin? Even characters in canon, written differently in some way, can be considered "not canon" by fans. Take "modern-day" Simpsons for example; there was one segment from a "recent" episode (honestly, I don't remember how long ago I heard this statement, so "recent" could mean anywhere from the past 10 years) where Bart genuinely asks "what's the 90s?" This made a lot of people angry, because Bart Simpson was a staple of the 1990s that embodied the vibes of that era, so hearing him say this felt like a far cry from his old self. This Bart is technically "canon," but a lot of people would argue that this is Not Bart Simpson.

Another example is Steven Universe Future. I did not like that epilogue season. I liked the 12-to-14 year old Steven's optimism, and it felt like they strayed so far from his character to have this kindhearted, loving character become so selfish and bitter and, there's no way to explain it without spoilers but he commits an act so heinous that I honestly felt like they took his blind rage too far just for shock value and sacrificed the entire character for it. But, some things just don't reach everybody. What I saw as "That's Not Steven", some people were able to enjoy and get a cathartic story of someone healing from trauma (I wish I felt the same about that show). For me, it was painful to watch, and I only finished the season to end my anxiety about it, seeing him get worse and nothing get better at the end of each episode was bringing me to tears ("Then how can you play Danganronpa if you're so sensitive?" you might ask? I have different expectations and standards for an edgy murder game for teenagers than I would for a kids' cartoon. I'm less shocked when violent acts happen in Danganronpa or Family Guy than I was at Steven Universe Future). Anyway I would consider this version of Steven Universe's character "not canon," and I cringe when people bring up his character in Steven Universe Future as canon, despite that, yeah, it's canon. It's canon but I hate that it's canon.

Anyway, I have a point here, and it is that what is considered strict canon to some may be considered more loosely by others. And fandoms are where we should be free to explore ideas that the writers cant do, whether it's because it doesn't fit the themes, or it isn't "marketable," or it's because the canon writers wouldn't come up with it, or just simply because you wanted to see it and no one can stop you. I understand some people have ideas about characters you'd want to keep the same, I do too! I hate when people reduce Kazuichi to just "fuckboy who flirts with Sonia and parties all the time and is really dumb" (tell me you fell for Kazuichi's act without telling me you fell for Kazuichi's act) or "sad pathetic meow meow" (like, aside from the "blorbo" language, this feels like one part of Kazuichi that gets misunderstood as the entirety of Kazuichi. Kazuichi can be pretty badass.)

Fandoms have been getting more picky and hostile lately (I'm realizing I have too, so I'm working on that), and I think we could all benefit from letting go of some of our stricter ideas about "sticking to canon" and being more easy-going about people writing a character differently than you would, especially because it's fanon. Because we're doing this on our own volition and not for a paycheck. Because kids writing for the first time shouldn't feel like quitting if they can't make the characters "on-model" or "in-character."

Also, Danganronpa at times is kind of poorly written and sexist, so why should I have to stress over adhering to the standards set by those writers and then carried on by teens in the fandom (who might be looking at it uncritically, not that I blame them they're still learning) when I can set some standards of my own?

The "canon" version of Kazuichi, according to the spinoff games I never played, is that she's forever doomed by the narrative to spend at least three years after graduation still pining over the same damn character who has repeatedly shown no interest. Also, doomed to keep the same appearance that she canonically doesn't like (and everyone else also looks exactly the same as their child selves). Like, this is the same character who changed her appearance in middle school because she was sick of being taken advantage of by people who didn't give a rats ass about her. There were other reasons too, but I feel like nobody talks about this one in particular: she wanted to change, so she did. So why does she need to keep the same appearance after that, when she's older and the stakes are lower and she's gone through so much and gotten some development in the second game's end? The meta reasons are so that Spike Chunsoft doesn't have to pay someone to update the sprite model, because Kazuichi is recognizable (marketable) in her canon look, and because it's easier to leave everything the same.

Personally, I wouldn't mind if Kazuichi wanted to keep the same appearance, that's what attracted me to her in the first place. But she herself isn't happy with it (evidence: the last FTE). I just filled in some blanks in the story in my own way, because there's a lot of ways to interpret her character and they don't have to fit in with whatever canon says is the way. I don't 100% trust Hajime's word, Chunsoft's word, or what other fans have to say. I'll listen to it, though, but yeah I am going with my own interpretation.

Don't worry, when I say "Kazuichi is a girl because I said so" I do mean my Kazuichi (and whoever else wants to make Kazuichi a girl, which, go for it!). I don't mean "I'll fight you on it if you think differently." My ideas for Kaz are just one possibility for her, there's tons of others and they're valid whether I personally care for them or not. I don't mind boy Kazuichi at all! I just...I love girls...so she is a girl. In my heart. On another level, I was tired of boy characters getting the cooler designs that don't have a boob focus, so when I saw her I was like "that one has to be a girl! I'm claiming her right now. And probably also a lesbian, just because!" And then I ended up adoring her, because she's so adhd/autistic and I relate a lot to her struggles in socializing and making friends. I hate when people say she's "not emotionally mature enough for friendships/relationships" (that's such a mean statement! I've heard it before about myself. It hurts to hear. ;-; It sounds very victim-blamey.) Yeah, her social problems from autism/adhd definitely play a large role in her problems in making and keeping friends, but another large reason she struggles is because other people don't get her, and that's not her fault. She tries, she tries way harder than I did when I was a teenager to make everyone like her, and it doesn't work, because other people can be shallow assholes who see a "weird kid" and just don't care. I'm not saying that's everybody who doesn't want to be friends with her, Kazuichi can also be mean and push people away and also can be bad at reading the room, but her struggle to make friends is not all everyone else's fault just like it's not all her fault. Some people just have too much neurodivergent swag or uncanny valley for others to get us. So we need to find each other.

Anyway, wow I guess I really needed to talk. It frustrates me that so much of my story is only in my head right now. I want to actually show the progression of Kazuichi's character (so that her character progression looks less like "I just pulled this out of my ass" and more like "I swear guys, I'm actually going somewhere with this! It'll make sense later!") and my s/i's character progression too (in the fanfic we grow alongside each other and because of each other), but it takes time to write a story when I'm also learning the work-life balance. This was my first year having a "real job" and of living alone, I basically get home after the 8 hours of busywork and then get to drawing Kazuichi and watching cartoons and playing video games. Trying to be really patient with myself.

[jukebox-arts]

I was an OG FNAF fan and watched content of SB when it first dropped; I cycled out of the fandom briefly due to IRL things and then looped back to watch mods and glitch runs. It made me appreciate how absolutely broken the game is. I ended up watching Ask Sun and Moon by Shandzii a few times, and got exposed to DCA content on Tiktok through SatogaCrank and a few others. I've been stuck in the glue trap since.

TBH I didn't care for the DCAs at first because their designs freaked me out, but as good fandom does, I warmed up to them via the above creators and started my own AU interpretations thereafter. I've always loved sun-moon(-stars) motifs and in my current situation having never had comfort characters before, the slew of wholesome DCA content really stapled me to the glue trap.

Technically from the beginning if it's SB, but DCA was Nov or Dec 2022? Ish?

I haven't but my bestie did, partially. We bought the game to take screenshots for references and currently have a very persistent Moon running rampant in the daycare trying to get us so we didn't get far.

To date? ASL Sun for the holidays, the "New Mother" comic, and my AU images, "Tidal Lock" and "Kilonova"

I really love the new-genre-style art that they keep coming up with, making D&D characters, wizards, mermaids, etc. The wholesome stuff makes me happy, especially when its a little new or well done.

I really like 8um8le's "Stellar City", I'm in the fringes of Fairy, Overshadowed and GITM, plus my own Free Runner and Legacy AUs.

The Jens (Jennifer, Jenny and Jenn). I've put so much work into them compared to my usual amount, they're my darlings and I adore them all.

Used to dislike it but Biblically Accurate has become amusing and very interesting to see interpreted because it's so rare now, it feels like.

The pure creativity and amazing DCA variants. I really like robots.

Canon? Sun. From an AU that isn't mine? Probably 8um8le's Sun. From mine? Moon, hands down (sorry Sun). Overall if it's not just Sun or Moon? 8um8le's Cat or Eclipse, or Satoga's Nova.

Canon Eclipse is baby, but pre-canon fandom Eclipse was wild to see evolve.

That guy needed a vacation long before the glitch set in, but I think he enjoyed himself.

He definitely had the theater kid vibe, switching on a dime from nap time to goblin mode faster than the light could flip.

Personally, they're two AI, but I enjoy the rare takes where they're a split persona or Jekyll-Hyde situation if done well. Generally it doesn't matter to me as long as it's... tasteful, we'll say.

More AUs that aren't focused on the pizzaplex. I'm biased.

DCA-cest I guess? But I filter my tags so it's not a big deal, I mostly just don't like it when they're written as brothers AND lovers at the same time. Also, fucking shipping drama. Oh my god. Leave each other alone.

Turning my Free Runner AU into a legit comic/story that's only mildly DCA-adjacent.

I'd like to hope so, I consider myself a safe person so I shouldn't set off any danger signs.

Seriously, keep cranking out other DCA variants, they're tasty and I'm looking with as much respect as I can muster.

Additional nitpick/vent thing: I love me some saucy bots but I can't reconcile canon-adjacent, active daycare attendants having genitals. Do whatever, genuinely, but I just do not comprehend them having any simply because of what they are and are made to do. It's the one thing I can't suspend my disbelief on for some reason.

Non-canon-compliant scenarios or later modified outside of fazbear? Abso-fucking-lutely. Love to see it.

But currently-working-in-the-daycare-they-were-built-to-be-in? Too confusing. Brain error.

That's all.

alright dca fandom, here's some questions bc i'm curious. the funky jesters make our brains go brr, but why? treat it as an ask game or answer in the tags if you feel like it! :)

how did you get here?

why these characters in particular? what was the hook for you?

how long have you been here?

have you actually played fnaf sb?

if you make content, what's your favorite piece you've contributed?

what's your favorite sort of art or fic? what genre/flavor/style?

what's your favorite au?

do you have any ocs, or have any ocs you're fond of?

what do you think of the dca's canon appearance? Scary? Cute? Something else?

what keeps you in this fandom despite the very small amount of canon content the dca had?

be honest: if you had to pick only one, sun or moon?

thoughts on eclipse?

thoughts on pre-glitch sun?

thoughts on pre-glitch moon?

do you interpret sun and moon as two sides of the same person, or truly two separate beings in one body? does it matter?

what's something in the fandom you'd like to see more of?

what's something in the fandom you'd like to see less of?

anything you're looking forward to?

do you think you'd actually get along with the dca if you met them irl?

free space! talk about whatever's on your mind!

[ofoceansandtombsanew]

Snk Characters at the Cookout

tags: headcanons, black!reader, gn!reader, food mention

a/n: another repost of one of posts from my og account. we’ve all probably wondered what it would be like having snk characters at the cookout and interacting with our families, i still say reiner and mikasa would have the absolute best time

eren

every now and then at the cookout, there is a fight and chances are eren would be in one, probably with one of your cousins cause they said some problematic shit

eren is the guy you bring that your relatives haze asking what his intentions are, why he grew his hair out, and of course, the staple threats of what they will do to him if he ever hurts you

he lowkey worries if your family dislikes him which you say is ridiculous

eren will totally side eye the hell out of you when you hit him with the ‘we about to leave’ text right before you spend 20 minutes saying ‘goodbye’ because you caught up in last minute convos with your cousins

he on thin ice after that fight, but he gets invited again because sure your family can be crazy but he fits right in even if he gets clowned for not knowing r&b classics playing on the stereo the entire day

the one to get irked the most by comments asking why you got yourself a white boy instead of dating a brother and it becomes an entire car ride and a half of a discussion on the way back home

armin

armin is that guy you date you lowkey think your mom loves more than you and literally texts and calls your mom daily to talk, so that is a no question that he gets invited to literally every family get together and leaves with so many leftovers

you know that uncle that goes “y’all don’t nothin’ ‘bout this right here” when candy by cameo or earth, wind, and fire comes on? armin always ends up with that guy and somehow ends up getting dragged out to learn how to do the electric slide

aunties adore this guy. it’s cause he is so teeny

like armin is their baby. “oh you need to eat more than that, baby, get some more of them greens” and insisting he comes over more often so they know he is fed

you always end up staying longer than planned because he gets so caught up talking to your family

hell you probably end up staying the night because armin insists on staying to help clean up

mikasa

now mikasa might not be the most active person at the cookout because she finds a corner to sit in but she shines best before when you spend the night at your momma’s to head out as a family

she likes hearing stories of how you were in your childhood and if your mom doesn’t offer to show off baby pictures, mikasa asks preemptively to look at them herself

at the cookout itself though, mikasa would probably spend a lot of time with the grandmas and aunties who would be the ones encouraging her to spend time with the young people

you get pulled aside by at least three different cousins that double check to make sure you together because they would wanna hit on her and if someone just straight up tried, she instantly says that you’re dating before they can much game in

seeing you have fun and spend time with your family makes mikasa very happy so she enjoys taking candid photos that become her lockscreen pics

you worry if you’re family is overwhelming for her, but she always tells you she enjoys getting to know your family

sasha

would sasha be invited to the cookout? that’s a no question

this girl loves to eat and you know damn well she would be down to eat some soul food

your momma loves her because sasha helps out in the kitchen and learns all the family recipes. deadass, her collard greens tastes just like your grandma’s and that came from your grandma herself so you know sasha shouldn’t take that compliment lightly. sasha probably also adores your grandma just as much as your grandma adores her

when they are cooking together, sasha goes on about her family and their traditions and how when her family does something, your family will be coming over to try their dishes

sasha doesn’t look like it, but she’s a dancer and if she hears dancing music you best believe she is dragging you out there the moment she hears a good beat and a “get down on it if you really want iiiit”

due to her high energy, she is pretty good with the kids and it wouldn’t be strange seeing her playing tag or racing games with them and while she can be competitive, she lets them win to build confidence

hell fuck it, sasha’s family would be invited to cookouts to plan out the wedding

reiner

reiner would be so good with the kids

you literally spend most of the time smiling to yourself because he’s playing football with them one moment and showing them how to pass the ball proper or he is giving piggyback rides 

like, if you were to bring him to get makeup done to have a tea party with plushies because your younger relatives wanted to do that, reiner would go the full nine yards and if your mom wasn’t already asking if y’all were planning to have kids she would very strongly hint that you should cause “just look at him, he would be such a good daddy”

would bring his cousin gabi along so she can make some more friends and she always ends up eating herself sick and reiner apologizes though it gets laughed off

when ain’t too proud to beg comes on, reiner gets david’s part. it is over the moment you hear the “I KNOOOOOW YOU WANNA LEAVE MEEEEEEH” but if a slow jam comes on, reiner is making sure you have a romantic dance together at least once

don’t even try coming to a family event without reiner, they will do nothing but ask why he isn’t there

[mocacheezy]

Things that made watching Transformers (2007) easier and even enjoyable:

[note: B'verse gets the treatment that it gets by fandom for good reasons. There are tons of posts that dissect the bullshit of these movies far better than my second-language-english-non-american self could ever tackle, so I am not doing that, or plan on doing that. But if I decide that I'll get through every continuity of the franchise I will find a way to make it fun for myself. And so, this is my search for golden nuggets in these movies, because they did bring in new fans to the franchise and that's why we have other continuities that we might not have otherwise. Credit where it's due, and some positivity for those that did find B'verse at least amusing if nothing else. ]

🍴🥄🔪🍴🥄🔪🍴🥄🔪🍴🥄🔪🥄🔪🍴🥄🔪

Frenzy

Anytime Frenzy was on screen made me smile because his movements and personality were hilarious, he is just so expressive despite looking like someone super glued a bunch of knifes together. I wouldn't know it was Frenzy if I didn't go to the Wiki, but no matter that, he was funny and that's what matters.

The original Cybertronian robot modes

We don't see them for long, but the glimpses were glorious. Just look at Optimus

Gorgeous. What I wouldn't give to see the details up close. Maybe I'll go looking eventually, but this is just so nice.

We also get a "sexily rises from the pool" scene with Ironhide (probably unintentional and I am biased due to being a robofucker. In any case, very very nice and Cybertronians look so good as aliens)

"Excuse me, are you the Tooth Fairy?"

You see this kid?

This little girl was the only human I cared about in the movie until I saw just how badass Mikaela is, and how cool the military dude is. I don't like kids, but I would lay down my life for this girl.

This one scene just makes me think of what would happen if her parents showed up way earlier. Ironhide would be her guardian and it would be both adorable and hilarious because "Honey, you have to drive in a sentient alien that looks just like our car because the goverment men said so or there will be consequences and potential alien threats."

There are so many joke potentials there; the cultural barrier, the "I am the ine that is supposed to keep her safe" glaring contests, there is just so much shenanigans that could happen.

Also, tea party with the kid. Tea party with the kid.

Sam Witwicky actually reacts like an average human would when faced with the situations he finds himself in

Do I like Sam Witwicky? No, he is the kind of character that I would want to punch irl because of his personality and actions. He is disgusting. But watching him scamper and scream and stutter when faced with giant metal robot aliens that can squish him like a bug? Good, that was a beliavable reaction and I enjoyed it a great deal.

Megatron. Just, ✨Megatron��

(the best screenshot of the few I could take while watching, no, I am not going back for a better one, he looks perfect like this)

I also laughted at how they kept him frozen like a popsicle. And not even well, like, they COULD'VE made an actual freezer and pop him in instead of using those couple of tubes just so he was displayed for all personell to gawk at. HE CRASHED IN THE ANTARCTIC!

The design looks so good, because it looks ALIEN and POINTY and AGH!!! The colors? There are no colors that would make him stand out, he looks like someone opened a cutlery drawer, mixed up what's inside, threw in some extra knifes for a good measure and then shook the whole thing until this guy materialized from the pile. It is both incredibly annoying and satisfying.

🔪

Mr. Welker did an amazing job with his voice, I don't know what the directions were, but oh man it sure sent shivers down my spine. That is the kind of voice that spells "You are going to die" and I already have my coffin picked out.

EDIT: SO APPARENTLY! IT WAS NOT WELKER THAT VOICED MEGATRON.

It was Hugo Weaving, and yes the man did am amazing job, but I apologize a million times, I was CERTAIN that THE OG VA OF MEGATRON WOULD ALSO HAVE VOICED MEGATRON. LIKE, OKAY BAY, OKAY!

🔪

LOOK AT THE AMOUNT OF ICE! With how quick he came back fully online once Frenzy turned off the freeze liquid tubes, I bet he was half awake through the whole thing. Systems just below idling or something, in any case, AGENTS YOU ARE SO DUMB! WHO WAS GIVING SUBPAR FUNDING TO THEM, THEY BETTER BE FIRED!

I also was glad that Sam refused to call him by the name the sector asigned to him, despite Megatron being in stasis. And that he insisted they use the correct name. Good job Sam, acknowledge the threat by the actual name and show respect to a fellow sentient lifeform. Even though said lifeform is hellbent on destruction of the universe and your world.

ALSO, AND I CANNOT STRESS THE LAUGHTER AND AMUSEMENT HERE; the sheer DISRESPECT! They don't disassemble Megatron's corpse. No, these idiots, these absolute morons decide to dump him into the ocean, letting him sink to the lowest possible point (not sure if they did say it was the M' Trench or not), where there are proper freezing temperatures - good! You're learning, good job!! - just... In full. Full corpse. What's left of him. Just blup! Down with the fishies he goes!

I understand that they probably didn't know how to approach Optimus about it, but... At least behead the guy. He came back ONCE, who is to say he won't come back again?! Safety precautions my dears.

They also completely disregard what a giant extraterrestrial metal alien rusting away on the bottom of the ocean could do to the ecosystem at large. Like, I find this incredibly amusing, because this ISN'T something most folks think about when watching a movie but we have giant squids down there. We have so much weird things down there, the ocean isn't even fully explored AND YOU WANT TO CHUCK AN ALIEN CORPSE DOWN THERE?!

Now the real question: is he a looker? *looks at the pictures* hmmmm, depends on if you like knifes. Like, really like knifes. Like really, really REALLY want to get it on with a fine assembly of kitchen knifes that were exposed to the elements but somehow haven't rusted away completely.

I think he's neat.

Needs a good long powerwash though. Preferrably with something to help the whole "I was frozen for more than 50 years and sprang back to action as soon as I woke up" thing that happened.

My man needs to take a moment and get his bearings, like dude. Please. You can conquer the world after some energon and slow system boot-up period. The strain on the systems my dude, you ain't young.

Also love that this "death" was probably reused in TFP because lord golly, do we love our faves ending up under the sea. (Though Megan took a much bigger fall, Bayverse WAS PLOPPED INTO THE WATER LIKE A NEWLY ACQUIRED FISH I CAN'T YOU GUYS I CAN'T!)

In short: I love the comedy of american military giving such disrespect to an Alien Warlord. These guys are really sealing their fate.

I loved the way they got the Witwicky family to be important to the plot

The whole "selling my great great grandpa's glasses on e-bay" thing gives us a very good self insert/OC/rewrite/movie AU potential. Don't like Sam and his disgustingness? Find a way to write a cousin or some far off relative or hell, even just someone who buys the glasses off e-bay and go wild with it!

Archibald was also clearly an inspiration for Isaac Sumdac as far as I can tell, what with both of them using Megatron as a means of helping technology advance.

Only difference being one of them lived and actually talked to Megatron after he came back online and the other got driven to madness and death due to the amount of information beamed into his brain. Isaac also acquired a space baby daughter, so the guy is absolutely luckier of the two.

Mikaela being fucking competent and badass throughout the movie, and not being just fanservice eyecandy

I could do without the fanservice, but her personality? I loved it. I loved that she wasn't crawling to Sam and wasn't being "hard to get". Which is also why I was very displeased at the very sudden "oh yeah, romance! She returns his feelings after he took her for a ride and let her vent her frustrations!". The movie is 2 hours long and they could throw in some moments where these two connect?

Welp, it is an action movie, boy gets girl no matter what, can't complain about the staple in the genre.

However, Mikaela x Optimus? Now THAT is something I considered as soon as the two locked eyes and interacted. Like, even taking my shipping goggles off, these two could have a very interesting dynamic and Mikaela could be a very good protagonist. I wonder what the movie would be like with her as the lead and Sam being the fucking moron she has to drag along with her.

BUT ALSO! Can we talk about the horrible, excruciating fact that her and Bumblebee drove around with Bee's damaged legs dragging over asphalt all the time he was shooting at 'Cons? There were sparks flying! SHE WAS DRIVING BACKWARDS! She took command of the situation and did what she could because Bee still wanted TO FIGHT!

Also, they way she beat up Frenzy? Gorgeous, I want to slap Sam's non-existent balls off for not atleast saying "thanks". The dude would be sliced thinner than cabbage if she wasn't there.

The millitary man we are supposed to care about because his wife gave birth while he was on duty and we see his baby three times in the whole movie, actually being a pretty awesome and well-written character

Look, personally, I was a little confused at the reason why we were seeing his wife and baby interacting/the scene where she thinks her husband is dead. Mostly because I don't like kids, so scenes like that, when I don't even know who the character is, have no impact at all. Him having a baby isn't going to make me like the guy more, unless I know his character. Him being absent because he's on duty doesn't mean he'll be a good dad (though he looks like the kind of man that will try his best, and I like that in a man). So seeing his wife and kid at the start of the movie seemed pointless to me.

BUT! FOCUSING ON THE POSITIVES HERE!

Lennox is a good character and whenever he was on screen I was invested in what is going to happen to him. He's the kind of action movie lead that would have me invested, despite my meh interest in mainly gun fight oriented action movies.

Essentially, loved the guy, would love to see more of him while also being able to tell what's happening on screen. Also the comedy scenes he was in were usually funny.

~

Okay so these are the things I like about the first movie! It was very long, had to watch it on 2,5x speed because it simultainously dragged while ALSO giving me too much information, but the moments like these and the way my imagination latched onto characters I liked made it watchable. It isn't a movie I'd use to introduce someone to the TF franchise, but it provided me with lots of material for my imagination to run wild.

[pollylynn]

Title: Above Rubies WC: 1000 Episode: Under the Gun (3 x 03)

Mike Royce is hard to resist, right up until he isn’t. Royce is the sandy-haired, gravel-voiced guy with a car and behind-the-wheel moves so cool that Castle doesn’t even mind having his over-the-trunk barrel role outdone. He’s a bounty hunter, and how the heck have they never come across one of those before in their crime-fighting adventures? It’s enough to make a guy think that that Beckett’s been holding out on him.

And Royce has a whole bunch more checkmarks in the hard-to-resist column on the Beckett-is-holding-out front, too. He may have signed a pact of mutually assured discussion on the karaoke stakeout, but he knows all about the cat and the speargun. He was there in her spontaneous-offers-of-nudity days, and Castle would happily pull up some popcorn for a double-bill matinee of those stories rendered on the silver screen.

Royce is hard to resist because of what he brings out in her. He dares to tease her about her shoes, and rather than eviscerating the man with a staple remover, she flashes the slightly gawky smile that Castle himself had filed away early as one of his very favorites. He casually loops an arm around Beckett’s waist for their old-time’s-sake photo, and there might be a twinge of easy resistance in that if it were so fascinating that she welcomes the invasion of her personal space in a way that’s damned unusual for her.

It’s the picture that he offers up that pulls the whole of it together. That faded snapshot is the key that unlocks the mystique of Mike Royce, at least as far as Castle is concerned. She snatches it away, of course. She is not interested in images of pre-Badass Beckett circulating throughout the precinct, or anywhere for that matter, but it’s too late. He’s committed the image to memory. He’s filed away the OG slightly gawky smile and come to understand what it is that he finds hard to resist about Mike Royce.

He knew her when.

That’s not a simple thing. It’s not about her being adorable and in uniform, deprived of her stilettos and her endless parade of eye-catching outerwear. It’s not about him having been on hand for the years she was running herself ragged trying to chase down even the merest scrap of information about her mother’s case.

It’s about the smile and the genuine light in her eyes, even though he can tell she hated being caught on camera even back then. But she’s smiling anyway, because Mike Royce was the man holding it, and she had faith in him. Even during the years that almost destroyed her, she had the capacity for faith, and that revels to him the sum total of why he finds the man hard to resist.

The phenomenon lasts even after the question of whether she was able to resist him back in the day rears its head. He’s unhappy at the thought that she might not have. He’s something close to frantic at the thought that she might not now. And even still, as the man who browbeats her about fate and double-rainbows and CIA conspiracies, he can’t quite resist this man she still so obviously has faith in, when he knows that it’s not something that comes easily to her. Even as he sits at her desk, writhing with jealousy he has no right to feel and hoping against hope that she gets back soon from her “date,” he still finds Mike Royce to be as advertised.

There’s a turn everything takes when it looks like Royce has made resisting him the easiest thing in the world. One terrible revelation comes after another: He lied to her about wanting Random’s bounty, he didn’t want a picture of the two of them, he wanted a picture of the map, and his offer of a“thank you” lunch date was nothing more than a ruse to shake he down to see if they’d had any any luck deciphering it, he was in on the investigation twenty years ago. He had used her, and gladly, it seems, from minute one.

He doesn’t know—he honestly doesn’t—whether to believe that her performance on the phone was nothing but a performance. He doesn’t know if her having been in love with him could actually make this—the total dissolution of her faith—any more painful. She, so disinclined to believe as she is, is simply suffering.

He can’t bear it. It’s the most self-involved thing in the world, but he can’t bear to witness what might be the last spark of belief in her snuffed out. He can’t, having only just learned of its existence, let it go.

It gives him a stupid kind of courage, a selfish kind of courage to speak up when they go on their second treasure hunt. They’re sitting with their backs against a monument. It’s a hideous black obelisk, probably housing the still-uncorrupted remains of some dark sorcerer. They’re sweaty and filthy and dazed by the glint of their tipped over flashlights on the pile of jewels.

“He realized it,” he says quietly. Speaking is an insane risk to take. She’s in pain, and things between them are still so damned fragile. But he can’t bear it. He reaches out to nudge the topmost ruby down the glittering mountainside. “What you were worth to him. He realized it and he came to help.”

She says nothing for a long time. She says nothing for so long that he risks a sidelong look at her. She has her head tipped back against the hideous black obelisk. Her eyes are fixed on nothing, high overhead.

An eternity passes, and one eternity more before she speaks. “You expect me to believe that?”

“No,” he says as he tips his head back against the hideous black obelisk. “But I wish you would.”

A/N: Is there anything with less morphousness than faith we have misplaced in shitbags? I think not.

images via homeofthenutty

[werealljustwinginit]

Tell us about what skincare ingredients and products you love!

Okay, so I LOVE TALKING SKINCARE. This is a huge topic for me and I often write up a blog post once a year where i recommend skin care products. So here is this year’s recommendation! An insanelyyyyy long and detailed post nobody asked for!! HERE WE GO: 

I am a long time skincare advocate...before it really blew up and people started really getting to know more about their products and ingredients. I’ve just always had very acne-prone skin so I’ve had to pay attention to what products and ingredients I was using and how their formulas worked for me. As a result, over the years I tried A SHIT TON of products. Many expensive, fancy, high end, etc. But now I have my skincare routine down to a much more manageable and quality ingredient list. Obviously everyone’s skin is different...but this is what I use on a regular basis these days:

Serums:

- Krave Beauty’s Great Barrier Relief Serum: Honestly, this is THE SHIT. My favorite moisturizing serum to really help balance your skins hydration barrier and stay hydrated. It’s thicker and almost feels like a moisturizer. It’s so great.  - The Ordinary’s Niacinamide 10% + Zinc 1% Drops: Niacinamide is an amazing ingredient for your skin and can help a tremendous amount with clearing the skin, resurfacing, fading scars, and more. This really does a good job helping with my acne, so i really recommend to anyone. And I am pretty sure it’s like $5 cause it’s from the ordinary.

Moisturizers:

- CeraVe Moisturizing Cream: It’s a very cheap drug store moisturizer that has good, clean ingredients. After using fancy moisturizers for years, I finally gave into my dermatologist’s recommended lotion. LOL. They do have a lotion that is lighter, but my skin tends to be dryer, especially in the winter so I use the cream not the lotion. It’s thicker. (For high end junkies--it’s like comparing Drunk Elephant’s LaLa Retro to their Protini cream). I also sometimes throw in drops of a marula oil into this cream if I am really dry. Make myself a little face smoothie. 

Eye/Lip Creams:

- Mario Badescu Ceramide Herbal Eye Cream: Now honestly, I still haven’t found my perfect eye cream yet...but I have used this one for a few years now. It moisturizes well and is cheap to buy. It’s probs not the most effective but at least I am moisturizing my eye area. One day I will take on more eye creams that target certain things, but that is one day when I have money to spend lmao. -Glossier Bubblewrap Lip/Eye Cream: This is a very unique moisturizing product that is meant for sensitive skin like your eye area and lips. It does say it plumps a bit, which I don’t ever feel a plumping effect, but I do love to use it on my lips. It’s so moisturizing and is kind of like using a primer before you apply chapstick or lipstick. 

Exfoliators:

- Glossier Solution: The OG chemical exfoliant I tried and loved. These types of products aren’t great for everyone, and may have to be used less or more depending on skin type, but as an acne-prone human, I love a chemical exfoliant. This works and lasts a long while.

- Krave Beauty’s Kale-Lalu_AHA: Another chemical exfoliant. I recently tried this one because I do believe Krave Beauty uses better ingredients than Glossier Skin typically does (no shade tho). They were close in price, so I made the switch and have enjoyed the results so far. The packaging is also beautiful.

- Dr. Brant Microdermabrasion Exfoliant: This is NOT a chemical peel, this has aluminum oxyde crystals in it to polish the skin like a normal exfoliant would. It also has a lot of ingredients that help renew and refresh the skin while exfoliating. Now this product is HELLA expensive...I only have it because I once bought it for way cheaper when I had a subscription box. I don’t know if I would spend the full $80 bucks on it, but your skin does feel smooth.

- Tatcha The Deep Polish: This is an enzyme powder that you mix with water and exfoliate fro there. It is from when I used to buy the highest end products in hopes it would help my skin. It is pricey, but again does leave your skin feeling soft. So I rotate it in from time to time.

Masks: 

- The Ordinary’s AHA 30% BHA 2% Peeling Solution: AKA THE BLOOD MASK. Now hugely popular on social media, the “blood mask” is a chemical mask that peels off dead skin and essentially works to eliminate the top layers of your skin and begin rejuvenating a fresher layer for softer, healthier, plumper skin. I do this once a week and it is way cheap. I can compare it to Drunk Elephant’s Sukari Babyfacial and it definitely beats that expensive version.

- Glow Recipe’s Avocado Melt Sleeping Mask: This is an overnight moisturizing mask that you simply wash off in the morning. It really helps lock in moisture and feels nice on the skin. I use this when I am feeling really dry. 

- Aztec Secret Indian Healing Clay Mask: This one you have to mix the dry clay mixture with water and apple cider vinegar to create a goo that you can then let dry on your face. It may be intense for some, but I find it really helps dry out my acne spots and reduce redness in my skin. It’s always a fun one to do with other people too because you do have to prepare it. Good sleepover activity. 

- GlamGlow Bubble Sheet Mask:  This one is honestly more so used for when I am traveling and want to keep a mask on hand or when I am having a fun girls night or something. It’s a bubble mask--so to me that just means fun. I typically avoid sheet masks (unless I am traveling) because I think you end up throwing a way a lot of product you are paying for. But this one is fun, it’s cute, it’s different. I don’t notice a huge change in my skin tbh, but it is a fun activity for girls night. 

Honorable Mention/Random Products:

- Youth to the People’s Kale and Green Tea Superfood Cleanser: I stayed away from this one for a long time because it’s expensive and I could rationalize buying such an expensive cleanser, but I got a gift card to Sephora and finally decided to try it. And ya know what?? I guess I am fancy now because I really love it. It does not overly strip your skin at all, and for the first time in my life I really know what that means. It’s so great, it smells so good. Ugh. Can’t get enough of this bougie bitch of a face wash.

- The Inkey List Retinol Cream: A recent purchase, but I have enjoyed seeing the results. Everyone imo should be using an eye cream and a retinol. This is a nice introduction to retinol, so I recommend to those looking for one.

- Glossier Mint Balm Dot Com Chapstick: THIS AGAIN--IS THE SHIT. Many will say they would never spend more than two bucks but one tube of their’s is seven bucks and it is WORTH IT. I buy the three pack once a year and i’m good. This is the best chapstick you will literally ever use. Fucking buy it. If I could tell you only three products that are a must from this list this would be one of them. (the other two would be great barrier relief and the kale cleanser)

- Laneige Lip Sleeping Mask: I like this lip mask, it’s not needed everynight, but I do like to use a lip exfoliant (made or buy one, whatever) and then use this to really retextures my lips. 

- Bag Balm: Now this is a very unusual product to recommend lmaooo. Originally, bag balm is used for chapped cow udders on farms--which is how I discovered it. Farmers eventually noticed that it helped your skin retain moisture and repair cracked skin in their hands. So now it is known as a good thick ass cream for hands and feet. Now this shit is again--used on cows originally, so the formula feels thick and greasy. I like putting it on at night and letting it soak in for a while as I lay on my phone. It really works--I swear to you. 

- Sagely CBD Cream: I use their relief and recovery crea which smells like lavender and has a cooling effect when applied to the skin (kinda like biofreeze or icyhot would). This is only a 50mg CBD lotion, but I do like it. 

- Mad Ritual CBD Muscle Recovery Balm: Now this is thick and definitely a balm, not a cream. It is much higher strength though, so I break it out when needed and a little goes a long way. This one is 200mg of CBD. 

- Mario Badescu Drying Lotion: This drying lotion is now so popular but has been a staple of mine for at least a decade now. You leave it on over night and it really does dry up and reduce zit size. Helps a lot. There must be a reason why super models are told to use this shit before a runway show. 

- Tatcha The Essence: Essences are a new and kind of weird thing, kinda like priming the skin to allow for better absorption of a product. Now this product I received as a Christmas gift one year, but I am pretty sure it’s like $100...breaking the bank as always, tatcha. Anyway, it does allow for better absorption of products and feels light and refreshing on the skin. One bottle has lasted me two years now. I don’t know if I would recommend it, but I do use it somewhat regularly and it does make you feel like a bougie bitch. 

AND THAT IS THE END. Sorry that was soooo long. But like I said, I do a write up once a year of my skincare products anyway. So there you guys have it!! If you have any questions at all about your skin or skincare routine , honestly hit me up. Over the years I have slowly has friends come to me. Once I collect all of the I will have all of the infinity stones lmao. 

[smokeybrandreviews]

Down with the Sickness

I’ve been out here, simping hard for Lady Lady Dimitrescu, since her announcement. It’s dumb hard not too. Have you seen this chick? Like, f*ck, man, she is EVERYTHING! Giant Vampire Mommy can choke me to death any day of the week! Obviously, I'm talking about one of the antagonists of Resident Evil VIII. I actually love everything I've seen of this game so far and it kind of got me waxing nostalgic, you know? Looking back on the franchise with an eye toward growth. We just came off those excellent REmake titles and another for IV on the way. I love these games. Great narrative, great characters, great conflict but, the main reason I've been so endeared to RE franchise are definitely the BOWs. So, while I'm waxing nostalgic, i wanted to list some of my favorite horrors so far, before VIII drops and Alcina officially f*cks up my list. Like, serious, she can f*ck me up anytime.

Eveline

Eve was a real surprise in VII. I don’t want to spoil anything but if you play through this excellent title, you know exactly what I'm saying. I’m a big F.E.A.R and Ring fan so Eve really hits those Samara/Alma vibes. There was no way i wouldn’t love this character. Admittedly, E-001 is a little cliche in the design department but more than makes up for that with how goddamn sinister she is.

Crimson Head

Crimson Heads were introduced in the RE Gamecube Remake and what an addition they turned out to be. A Crimson Head is the transitional stage between a regular zombie and a Licker. This in-between form is a f*cking nightmare. They move faster than a zombie and are easily the hardest regular creatures to kill. Like, they’re straight up immortal. Unless you burn them alive, they’ll just pull a Tyrant, lay down for a while, and get he f*ck up to continue rendering your fleshy. I kind of love them! Also, motherf*cker looks pretty dapper in his little suit, don't it?

Alexia Ashford

The Younger Ashford made one hell of an entrance, didn’t she? the way she just sauntered in wearing that gorgeous, body hugging, slip of a dress, only for it to burst into flames, revealing her true, monstrous, form. I wasn’t on board for Veronica until Alexia showed up and burned up my heart. Its a fine game, don’t misunderstand, but I'm an RE2 guy. Veronica didn’t feel like that. It felt different and, more importantly, that narrative felt disjointed as f*ck. Plus, the art style was gross. Like, how is the Bandersnatch a f*cking Tyrant? F*ck all of that noise! And then there was Alexia. All was forgiven.

Verdugo

Similar to my position on Veronica, i didn’t much care for IV. This was the turning point for the entire franchise and we’d have close to a decade of straight up Michael Bay-ish schlock because of this one title. I didn’t particularly care for the action oriented nature of this particular title, but I'd be lying if i said i didn’t respect it. I mean, this game is gorgeous! These character designs are too dope and the Verdugo is one of the best in this game, if not the entire franchise.

Regenerator

Man, f*ck these things, man... The only things worse than these f*ckos are the goddamn Iron Maidens. F*ck them, too!

Mr. X

There are SO many Tyrants on these games. They went from a staple boss to borderline mascot and i kind of love it. There is a litany to choose from for this spot; T-001, T-002, T-A.L.O.S, Thanatos, the Ivan, that disgusting Bandersnatch i mentioned earlier, but it’s a particular T-103 that caught my eye. F*cking Mr.X. This sumb*tch, man, gave me straight up panic attacks. Like, you don’t even understand the fits this f*cko put fourteen year old Me through. Then, fast forward twenty years, and he’s even worse in the REmake! Nemesis will make an appearance ion this list shorty but REmake Mr. X is every bit OG Nemmy was and more. I straight up fear quit the first time this gargantuan beast came running for me. Like, that was it. I just watched a play through Haven’t touched the game since

Nemesis

Oh, Nemesis, how our relationship is SO complicated. REIII came along and installed the first tidbits of action horror in to the franchise. It didn’t go heavy like IV but it definitely forced in those QTEs. Back when this game first dropped, i thought they were pretty interesting. Now? Not so much.  That said, the Nemesis is a f*cking beast! Mr. X kind of made me sh*t my pants but that original Nemmy? Bro, f*ck that guy! Nemesis is one of my favorite creature designs in this entire franchise. I’m partial to the second form original, the one that’s all malnourished with the tentacle arm, but the REmake designs are pretty cool, too. Even it it had that weird, broken, nose.

Lickers

If not for G, the Lickers would be my favorite creature in the entire franchise. The second you see this beast crawling on the ceiling in that classic, Nineties poly, CG animated cut scene, i was in love. And then it immediately decapitated me. What can i say? It was love at first sight. Lickers are a f*cking problem. They always have been. Brilliantly designed, brutally executed, and wonderfully endearing. There’s a reason it as the main antagonist of the first RE film and not, you know, an actual Tyrant.

G

G is, for me, the absolute pinnacle of Biohazard design. I love everything about this straight up unit. All of it’s forms. All of it’s ferocity. Just, all of IT. I’m particularly fond of the Third Form. That thing has been my favorite since i first beat the OG REII, way back when. I even had the action figure. It was wonky as a f*ck but, for the time, did the character justice. I yearn for Hot Toys or Mezco to take a crack at it with modern tech, That f*cker would be terrifying, especially using the updated, REmake model. THAT G? holy sh*t! I don’t know how you improve upon that first design but those madmen over at Capcom sure the f*ck did. Holy sh*t, i love G. I love it so much, i named one of my novel antagonists after it. Similar power set, too.

Admittedly, this list is Umbrella Saga heavy. That’s mostly because i only really like the first four games and by four i mean I, II, Nemesis, and Code Veronica. VII was dope and VIII looks amazing, but i didn’t much care for IV while V and VI were complete dog sh*t. I didn’t like anything about those two games. At all. They came out during Capcom’s weird, Americanization, period during the PS3 era and it shows. Resident Evil is about survival. It’s about working with what you have on hand, what you can find, to bust some zombie ass. You’re never supposed to be an action star, you’re supposed to be a survivor. V and VI completely forgot about that. Also, all of their BOWs are butt ugly and not in the cool or unnerving sense. VII went a long way to fixing that while VIII, with the prominence of Alcina and her Brood in all of the advertisements so far, looks to push that envelope even further. I don’t know how many of these new monstrosities will make this list in the future but, so far, they’re are quite a few.

[rayo1-productions]

Cartoon Network Universe: Earth One - A Tour of California

*REPOSTED FROM FANFICTION.NET

DEVELOPER'S JOURNAL - SUPPLEMENTARY

Unfortunately, no this isn't Chapter 7. But it is something worth reading.

So if you've been following this story for a while, you've probably noticed that there are a few anachronisms in the world of the Cartoon Network Universe. I do have an explanation in mind, but for now, let's just keep it at me having to make certain calls when it comes to merging the worlds of so many Cartoon Network shows, as the majority of them were produced independently from one another.

But I also realized it wasn't entirely fair to you guys, who might not be able to keep track of worldbuilding and expository content.

So, I've come to a decision that I am probably going to regret in the future, specifically in terms of the style and genre. I am going to have, between each 6 chapters, a little cutaway bumper that informs you on the map of this world. This will give me the chance to clarify all things that you might be confused by when it comes to my writing (Honestly I don't blame you. My English isn't the best...which is ironic since it's my first language.)

The reason why I was so apprehensive of this idea at first was because of the tone it might cast over the rest of the story. Informational bumpers like this are a staple of certain anime like Attack on Titan and My Hero Academia, but with this story's subject matter leaning closer to AOT, I feared that these bumpers would create a "history-book" vibe to it. Y'know, like these alternate history stories people write where they go in-depth into the layout and politics of the war.

What's problematic about that approach for me is that it can be a very adult motif, one that can strip the story of any fantastical elements by grounding everything into hard square reality. Furthermore, most fellow FusionFall stories implement a personal touch into their work. Granted, by focusing on the entire cast of NPCs and the larger CNU, I haven't made this job easy for myself. But come future chapters and the personal touch will be essential, just as it was essential with Volume 1.

But I guess that's a bunch of superstition. Right now, enjoy reading the layout of the setting of my story. Be ready for even more creative liberties than seen in the OG Game, because the Map I created here is vastly different compared to that of the original or remakes. This map also comes with nice little exposition blurbs, all of which are set One Month before the Time Travel Experiment and thus two months before the invasion begins. I will be listing heroes that claim these areas or districts within each city. As the story moves forward from this bumper, heroes covered by a [SPOILER] tag will be revealed as they claim positions throughout the war and beyond. For future stories outside of FusionFall, it's also very possible that you'll be seeing this bumper more than once and with updates.

MAP OF TURFS

The Sister Cities - California

SIYENN: The largest of the three Sister Cities situated in the Western state of California, Siyenn City is a melting pot of countless businesses, families, and liveliness, all enhanced by the ever-growing pursuit of innovation. With a multitude of heroes, technological corporations, child geniuses, and casual life, this city is not only fortified, but ensured of a brighter tomorrow!

TECH SQUARE - Dexter McPherson, Simon Astronomonov; Once Siyenn Square, it was rechristened as Tech Square in honor of the astounding technological achievements transpiring there. Home to partnering and competing companies, Dexlabs and Mandark Industries, Tech Square has become the center of innovation and impossibility, inspiring countless geniuses by any standard to look sharp for a fine day for science!

-- Dexter McPherson, founder, CEO, and Chief Scientific Developer of Dexlabs, has announced a private time travel experiment to the public! Seeking to send volunteers or a volunteer approximately one hour into the future! The seclusive but famous scientist reportedly received supplies from various suppliers, such as Goat's Junkyard, Maxwell's Plumbing Services (oddly enough), an unnamed investor rumored to be in Quahog, Rhode Island, as well as MIT and the CERN research project! For any brave and daring volunteers, answer the call, for the time is now! And the test subject can be YOU!

GALAXY GARDENS - N/A; This emporium of greenhouse greatness was marked as a sign of good faith and will towards the ecological salvation of the planet. Galaxy Gardens is a thriving plant and animal sanctuary for all to enjoy, and though some might denote it as a simple zoo, Dexlabs has announced its intentions to study plant-based solutions to climate change and other potential problems facing the planet.

STEAM ALLEY - [SPOILER]; Though the most economically staggered of the city, this district, nicknamed "Steam Alley", held an astounding position as home to leaders of the automotive and energy industries, such as that of the Rainbow Factory and WERK Co. Though with the rise of tech giants like Dexlabs and M-Industries, it's not in that great shape anymore. But before its time, Steam Alley saw rise to oil trade tycoons such as Boss Franklin Fullbright, and even renowned bio-engineers like the late Rafael and Violeta Salazar.

-- Homeland Security agency Providence have been spotted in the area, more than likely in the hopes of opening a city-based installation. Though many people are feeling safer already, some have objected for opposite reasons, as well as the plans not offering any economic resurgence to Steam Alley.

MOREBUCKS TOWERS - [SPOILER]; As part of a housing initiative with the Morebucks Corporation, namely on the behest of Jennifer Morebucks, the city looks to open more housing options for those in the middle class or lower. Using the latest advancements in technology from Mandark Industries, the construction of these houses will be sped up to a considerable rate. The future looks bright for what used to be a normal everyday district.

-- Ms. Morebucks, a former supervillain, made a clear and distinct threat to her markets and shareholders that if they did not invest in the project, she would have them evicted from their houses and would use them for menial purposes. The shareholders were almost immediately confused by the nature of this act, wondering how a threat such as that could be fueled by a genuinely noble and thoughtful initiative. They all chalked it up to an ulterior motive on her part. Nevertheless, they all decided to fund her project.

CITY STATION - [SPOILER]; The heart of Siyenn City is also the best way to get around town; the City Station district is the public transportation staple of the entire city, and even more as its Slider Buses can carry you all the way to Townsville and Bellwood. Its transportation-focused industry has made it the centerpiece for a cultural metropolis, with bright lights lining the skyscrapers, joints and hangouts for people of all ages to enjoy. City Station's refurbished place in Siyenn City was a part of Dexlabs and Mandark Industries' massive technological initiative, building the massive Station Tower to serve not only as a hub for all passengers, but to also provide extra connection services to the entire district. City Station continues to thrive thanks to Dexlabs and Mandark's continued efforts.

-- City Station High School would like to publicly recognize one of its own students, Vana Thunderwarp, for her bravery and heroic saving of Dr. Gale Spacebyte, a government scientist who would have been killed by a malfunctioning slider. But that's not all. The young anthro-wolf student immediately contacted Dexlabs and helped identify the issue that caused the malfunction. We at City Station High School value dedicated study and civic duty within our students, and open our arms to those like Ms. Thunderwarp willing to make a difference in this vast world. (even if our moron Principal is the literal opposite - Noah V., friend of Vana)

GENIUS GROVE - [SPOILER]; The innovation does not stop at the city, as the suburbs of Genius Grove are home to some of the most impossible things the world has yet to see. The birthplace and home of both Dexter McPherson and Simon Astronomonov, they both grew up with like-minded intentions concerning technology, actively working together to see their dreams come to fruition. It is here in Genius Grove where great minds not only think alike, but aspire to be greater.

-- Shady businessman Benedict Uno and his delightful wards recently attempted to close a deal with Alderman Jeff McPherson, father of Dexlabs CEO Dexter McPherson, to open their delightful developments project. McPherson declined, much to the chagrin of Uno. There's been no official word on his next steps, though some say he may attempt to try again in Bellwood's Peach Creek Estates.

ENDSVILLE - Billy, Mandy, The Grim Reaper; Endsville may seem like the most haunted place on Earth, probably because it is. But behind a gloomy and shocking exterior is a community that thrives on liveliness and prosperity. No matter how many people try to escape our beloved town, Endsville is your last stop...to not die, but to...just come here, please. Please?

ORDINAL HEIGHTS - [N/A]; A calmer neighborhood for a calmer time, Ordinal Heights is a place to keep away from the various calamities of the universe and relax. Once you rent a house, you'll never want to leave. So come visit our little town!

-- Due to unexplained bursts of gravitational fluxes and massive surges of radiation emerging from a [REDACTED], Dexlabs and Providence have advised that this neighborhood be quarantined and cordoned off until further notice. For your own safety, DO NOT VISIT.

CRYSTAL COVE - [Formerly] Mystery Inc.; Before Endsville was dubbed the most haunted place on the West Coast, Crystal Cove held that title, famous for being the final place of activity from Mystery Incorporated, and infamous for giving the Ohio-born detective group genuine supernatural threats to investigate before they all vanished and (presumably) disbanded.

MASSACHUSETTS PARK - Mordecai & Rigby; Founded by Curtis Montgomery and his lollilander pupil Stick Maellard in the late 1800s, Massachusetts Park has stood the test of time in blazing through history and struggle. In the center of the park lies the Maellard Residence, providing the area with a feeling of home and safety. Despite reports of the zany, unpredictable, the surreal, and worst of all, various reports of employee misconduct, the Park and its staff stand ready to preserve this historic foundation.

-- Last week was the 2-year anniversary for the death of Pops Maellard, the son of Mr. Stick Maellard and the then-groundskeeper of Massachusetts Park. In what could only be described as launching an entire acre of land into space, the Park was reported to have been caught in a battle between the forces of good and evil in the cosmos, to which Pops sacrificed himself. There has been no comment from the Government-sponsored Galactic Guardian Group (G3), or the Department of Metahuman Affairs and Abnormalities, who specialize in investigation of the cosmically supernatural. All the latter group had to say was that classified intergalactic contacts were looking into the aftermath. The Special Extraterrestrial Containment Team arrived shortly after to debrief all members trapped aboard the Park in launch. In this anniversary, many of the Park's staff were there to pay respects to their dear friend.

- Goat's Junkyard, West Coast Division - Megas (Coop); Originally founded in New Jersey, proprietor and former tattoo artist Scot 'Goat' Rienecker expanded his junkyard operations to the other side of the United States. In Jersey, his junkyard gained a notable reputation for housing a vast array of salvaged technology, with many complaining simply because the city would be destroyed by robots and aliens before they could visit. Goat's Junkyard is the place to go if you're looking for off-hand items and re-engineered technology, no matter how illegal it might be!

TOWNSVILLE: - Powerpuff Girls; The City of Townsville! A safe haven for all, a flourishing and lively populace, a loyal and brave community, and home to the world's youngest and greatest trio of superheroines! This fine city has been under their protection for 10 prosperous years, and the skies have never been brighter since. This fine city is a place to go to see hope before your very eyes. Ignore the high insurance rates and outrageous crime waves, because the Powerpuff Girls will always be there to save you in the City of Townsville!

-- People are still worried for the middle Powerpuff, Buttercup Utonium, who suffered a major blow during a battle with the evil Mojo Jojo. The Powerpuff was smacked far off into the Pacific Ocean and disappeared into the waters. The green Powerpuff returned to her family a week after her disappearance, but has refused to offer any knowledge or word on what happened to her during her absence. We wish our toughest fighter the best in health and spirit as she continues to keep the city safe!

- Townsville Square - Jenny Morebucks; A bustling shopping industry incarnate, this plaza is at the heart of the city and maintains its great variety of malls, studios, and more, with the trademark location of the Sunken Super-Mall, this is a center for consumerism, and we invite YOU to find everything you'll need and want.

-- With the retirement of her father, Oliver Morebucks, young heiress Jennifer Grace Morebucks has since taken over his place as head chairwoman and CFO. Having been in this position for about 4 years now, Morebucks has brought the company into several disputes over acts of corporate greed, villainy, and subversion of ethical...anything, things that were mostly avoided by her lack of ownership in the company when she started her career in villainy. Morebucks has yet to recuperate from the low financial position and brand image the "Princess" has put them in, though Jennifer herself has ceased most villainous activity in recent times.

- Townsville City Hall - The Mayor of Townsville; The headquarters of Townsville's government is a dedication to triumph and might in the face of hardship. Here lies the Mayor's office, and the Mayor himself as he guides Townsville through times of despair, thanks in part to our terrific triplets that the Mayor dispatches to handle situations. It's because of this landmark that this fine city has stood tall and never backed down, even when a giant monster knocks it down.

-- Just today, the Mayor announced the undoing of his latest decree: that all pickle jars be made with paper lids. Buyers of pickles found their food to have been spoilt due to the poor standards of containment imposed by the Mayor.

TOWNSVILLE PARK; This local and public park is the perfect spot for peace and quiet, especially when the city life can be so overwhelming. Townsville hosts many of its local events and celebrations here, as even this peace would not dare be disturbed by villainy.

- Mojo's Volcano - Mojo Jojo; Before even the crime wave, Townsville has always seemed in danger, thanks to the massively slim volcano located near the Park. Nowadays the inactive volcano is under new management: The primate supervillain Mojo Jojo, who lives in his Observatory Lair planning and scheming his maniacal and destructive ideas for destroying the Powerpuff Girls and other villainous acts. However, the city of Townsville is lucky to see Mojo exercise an honor code when it comes to engaging our beloved metropolis, and how fortunate we are that it not occur to him.

-- Following an incident that occurred in 2009, many citizens of Townsville have speculated Mojo's connection to the sudden appearance of green gooey aliens that manifested from glowing plant-like eggs. Speculation also arose from the East Coast, with many citizens of New Jersey identifying the spores to be Gynok, a plant-based lifeform from Saturn that once invaded on a Thanksgiving Parade. However, multiple reports indicated that Gynok was capable of speech, and could mimic objects living and non-living, abilities that were not displayed by these spores, which instead spawned blobby creatures that terrorized various cities instead. Many are wondering what this has to do with Mojo, but have not been able to get a word in due to the primate's limited parole.

MARQUEE ROW - Gangreen Gang; This small but vibrant district holds a special place in the hearts of Townsville's greatest musicians. Currently the focus of the Gangreen Gang's album tour, Marquee Row's impressive auditorium famously held the debut performance of Sunny Bridges, the Atlanta-born jazz-rap musician that currently teaches at Atlanta's Westley School for the Arts; he has since gone down as a legend in contemporary music. It also was notable for holding one of the highest ticket-sales rates for concerts of the West Coast in 2005, thanks to a spectacular performance from J-Pop/Rock duo Puffy AmiYumi. Marquee Row is full of legacy and variety as it has quickly become the hot-spot for Townsville's musicians and many more.

-- The Gangreen Gang are set to perform in the Sunny Bridges Auditorium this July, where they are also set to reveal a new member of their band. Speculation has arisen as to who this member might be, and some rumors report that it's a female backup player. Some have denounced this as pandering, while others have embraced the band's sense of diversity. Others less trusting of the band wonder if this is a ploy to pull off a heist, given their criminal record.

- Harada-Bridges Records; The Harada-Bridges Record Company is a Townsville-based label founded through a joint partnership between former musician/performer Sunny Bridges and Kazuo Harada, former band manager and possible kleptomaniac. Harada-Bridges Records distributes music from many such talents as the TrendBenders, Pizza Party, the Gangreen Gang, Hair to the Throne, Scream-O, and Puffy AmiYumi among others; it even allows for one-time titles, such as "Love makes the World Go Round", or a rather catchy cover of "Surfin' Bird". It also sells redistributions and collections of older albums, including the famous 70s group Shag Carpeting, Fist Pump from the 80s, and smaller names like Mr. Universe.  Their building is furnished with a high-end recording studio, in which much of the music they distribute is recorded. Due to Bridges' teaching obligations, the company is partly run by JoJo Melodytour, former manager for the TrendBenders.

-- Famous rappers 'the CrewCrew' were recently excommunicated by the record company for their foul attitude and slanderous speech, and their apparent disrespect towards the memoriam services for Pops Maellard. They have since gone to social media to voice their frustration, only to lose several followers on all relative channels, Instagram in particular.

WILSON WAY;

- Foster's Home for Imaginary Friends; Venture into our quiet and socially vibrant suburban areas to get away from the action, and find a place where the community is tight, trustworthy, and lasts forever. For example? This grand estate that has been a staple of the community since the 1930s. Originally the grand mansion of eccentric heiress Martha Foster, her home has seen a repurposing like no other over the last 60 years. Founded in 1954, the mansion was reimagined as Foster's Home for Imaginary Friends, a place for runaway or outgrown imaginary friends to spend their time and look for new human friends. We in the Wilson Suburbs are proud to see such progressive community work continue for so long, and to maintain a lasting legacy across the country. Regardless of the nanite-related problems that have plagued the imaginary community, Foster's Home keeps its doors open to all real and unreal for refuge and safety.

POKEY OAKS SUBURBS (North & South) - Powerpuff Girls, Professor Utonium; Named after the county Townsville is located in, the Pokey Oaks suburbs are home to many of the denizens of the larger metropolis, appreciating the quieter life contrasting the busy city ahead. In the Northern suburbs, you will find Poakey Oaks' High School, the Morebucks Mansion, the precinct for Townsville PD, and the abandoned home of former supervillain Fuzzy Lumpkins. In the Southern suburbs, you will find the Utonium residence, home to the Powerpuff Girls, Poakey Oaks Kindergarten and Lower School, and the Pokey Oaks highway leading into the larger Townsville city.

-- Not to be confused with the Pokey Oaks county in Los Angeles, California.

HABITAT HOMES - N/A; A thriving suburban community defined for its rising anthro population, Habitat Homes is recognized as a place for...well, whatever it is normal districts do, because this area seems to be set on selling "we have anthropomorphic animals" as their only highlight, which is pretty exploitative. This suburb is home to the Charles Darwin Middle School, notable for having an overwhelmingly anthro-based student body.

BELLWOOD: - Ben 10; This is no ordinary city. Enter a world beaming with possibilities, wrapped up in one of the most popular cities on Earth. Located within Delmarva County and founded in 1638, the city of Bellwood started out as a small town notable as "the most ordinary town on Earth". That has been proven wrong many times over. Since Ben 10 started his super-heroic career at the ripe age of 10, Bellwood has seen a massive amount of attention for sightings of alien life and activity on Earth, and allowed this small town to grow and expand into a bustling city in the same leagues as sister cities Townsville and Siyenn.

- Bellwood Square; The heart of the city and the home to many of Bellwood's landmarks, such as Bellwood Zoo, City Park, a museum, a mall, Madison Elementary, even a Brain Bank!

- City Point; Whoever could forget this small district, host of the annual Summer fair for 20 years in a row, several of which have showcased the Dizzy World Circus hailing from Townsville. City Point also houses the largest amount of alien activity in the entire city, with many wondering how so many aliens appear in and out. But no matter that, City Point is hailed as a place for diversity and acceptance of all lifeforms, no matter how secret.

-- The Dizzy World Circus is set to open business in City Point this summer after a performance in Gateway City, Virginia; this will be the first time they have returned to Bellwood in ten years. However, brand image is being considered as a risk, due to the supervillain Zombozo welding his Ferris Wheel to the ground five years ago and making it near impossible to remove. Architects and engineers are still trying to determine how to bring the Wheel down, as the structure itself appears to be made of Promethium, one of the strongest and most durable metals on Earth.

OFFWORLD PLAZA - Grandpa Max; Seeing humanity's future in the stars, Offworld Plaza was setup in a partnership between Dexlabs, NASA, and Providence whilst being overseen by the Department of Metahuman Affairs and Abnormalities. Offworld Plaza is meant to be the world's first spaceport, with a Dexlabs-modified STS shuttle meant to be the world's first form of public space travel. The project has seen backing from several Bellwood residents, including Ben 10 himself and partners included, and several alien citizens amongst the population. This is being seen as the foremost attempt to fully engage Earth with the larger galactic community.

BELLWOOD SUBURBS/URBAN NEIGHBORHOODS;

- Madison Valley - Ben 10; This mostly quiet neighborhood is close to the Peach Creek community, and is notable for being the birthplace of Ben 10 himself. The neighborhood has received a lot of attention since his public debut last year.

-- Residents of this neighborhood continue to search for Gwen Tennyson, cousin of Ben 10 and former partner in crimefighting. Gwen had reportedly manifested something akin to alien powers, due to alien heritage in the family, and disappeared soon after a conflict involving the Ship-It Corporation and an invasive race of microchips. The search has been continuing for 4 months, and we send the Tennyson family our best wishes.

- Gallagher Commons/Sector V - KND; Home to Benedict Uno, this proud neighborhood prides itself of the progress brought about by its educational system, confident in the molding and shaping of young minds for the larger world. To that, Gallagher Commons also takes pride in its large park statue dedicated to the various superheroes of the world (though due to the lack of heroes in these suburbs, it has yet to be adorned with any holograms or statues). This monument, christened as "Hero's Square", has been the sight of attraction to many, though children seem displeased with the amount of attention it receives, but who cares about them, right?

- Bellwood Sheriff's Department received more reports of angry parents complaining about their kids' whereabouts after school; reports include children whispering secret codes and messages, sneaking out at night, raiding closets of random neighbors of varying ages, and mention of weapons storage in a treehouse. These reports have been dismissed as a case of kids being kids, and parents being parents. Though the mention of a treehouse caught their eye, as there are no reported treehouses in the entire Gallagher neighborhood.

- Peach Creek Estates - The Eds, Rolf, the Urban Rangers; Peach Creek Estates has been a foundation of the Bellwood suburbs for as long as it could remember, founded shortly after the city was built, Peach Creek retains its reputation as the most normal suburb in the entire country, even as the larger city stepped into the larger and more unexpected world. The center of our neighborhood lies in the Peach Creek Commons, a Cul-De-Sac with a loving community that never expect anything out of the ordinary.

-- The Bellwood educational board was happy and elated to give a $100,000 research grant to 16-year old Eddward Zimintator, affectionately known as "Double-D" by his neighbors and friends, for outstanding scientific papers on the applications of nanites towards the reduction of cancer cells, and the correlation between nuclear energy and dark matter. Dexlabs and Mandark Industries, tech companies from Siyenn City, helped pay for the grant, and Mr. Zimintator was excited to have received the honor as opposed to the money. Double-D expressed worry that the large sum of money would be taken advantage of by his friends.

- Bravo Beach City - (formerly) Steven Universe, the Crystal Gems; Bravo Beach City, rechristened after philanthropist and entrepreneur Bunny Bravo, has a history spanning 2 whole centuries, beginning in 1814 with Captain William Dewey founding the city. The city has been under the protection of an alien team dubbed the Crystal Gems, who protected this sub-city of Bellwood for over 200 years since they arrived on Earth. This town has seen alien invasions of lovecraftian/angelic varieties and universe-ending catastrophes unlike any other, and yet it pulled through without the presence of Ben 10. That's worth a look-(#KeepBeachCityWeird - Ronaldo F.)

- Grover Mill - The Amalgam Kids; [REDACTED]

ASTORIA GROUNDS - The Saturdays; Located on the edge of the Pacific Coast, Astoria Grounds was once home to reputable cryptozoologist Doctor Solomon Saturday and his family. After their mansion here was destroyed, the Saturdays maintained operations here by means of their blimp. Astoria has since seen a level of peace unheard of. We have great TV too, renowned for various movie production studios located right here, such as Sumo Slammers: Legends, Weird World (formerly), Tiny'Mon: The Live Adventure, and other great content!

BELLWOOD MOUNTAINS - Camp Kidney, Acorn Flats; Bordering the state of Oregon, the Bellwood Mountains offer citizens a fantastic night-sky view, and a lovely day for campers. The site was recently chosen as the new location for several Midwest-based Summer Camps, such as Camp Kidney and the Acorn Flats Scouts. Originally located in Northern Wisconsin, the Camps were relocated to the West after dangerous reports of robots and monsters were coming in from the nearby state of Illinois, as well as various surreal reports from the nearby city of Elmore. Amongst the Bellwood mountains are the Pimpleback Mountains, Mount Blackhead, and a forest noted for various amounts of exposure to unstable nanites; said site is also reported to be a major hotspot for cryptid activity. Be wary of entering this Twisted Forest.

SHARED LOCATIONS:

- CITY SQUARE (Currently under construction); As part of the Movement Ink Initiative, the Three Sister Cities of California are coming together under a united cause: to open new avenues of business and provide a safe and healthy environment for all. Meant to be the most technologically advanced area between all three cities. The Movement Ink Initiative will also see construction of a center studio to foster all creative and health-related activities.

OTHER LOCATIONS OF INTEREST: (INFORMATION TO BE UPDATED BY DHAWAR AIRLINES)

NOWHERE, LAS VEGAS - Agents Black and White; [REDACTED]

- Area [REDACTED]

PORKBELLY CITY, ALBERTA - Johnny Test; Alberta's least notable city, built upon the morally dubious legs of the meat-grinding industry, has seen a surprising rise in the extraordinary over the last five years, with various mutations and technologically influenced threats appearing over time. More often than not, a kid from our suburbs has to save the day, but it also happens to be his fault. For Porkbelly, things just seem to balance out.

-- Congratulations to local scientists Susan and Mary Test for getting jobs in the states with Dexlabs! We'll miss you while you're away very much! Just don't blow anyone up and don't cause a massive chemical accident!

SOUTHEAST UTAH - Rex, Providence; [REDACTED]

ORCHID BAY, SAN FRANCISCO - [SPOILER]; Arguably the second largest district of the city, this beach-side town is big enough to call itself a city on its own. Renowned for its beach city theme and harbor history, Orchid Bay has been a cultural diaspora, giving children a welcome touch of life from all areas and ethnicities. Admittedly, there have been supernatural occurrences here and there, but it's not like an ice castle is going to rise out of the water.

MARZIPAN CITY, VLATAVA- N/A; This small European city in the Romanian Province of Vlatava is well-known for being home to Mung Daal's Catering Company, one of the world's tastiest European cuisine menus. With their food and this city, you can never go wrong with your vacation.

-- Mung Daal has reportedly taken up a search for a potential apprentice. More details are to follow.

LANGLEY FALLS - CIA, Department of Metahuman Affairs and Abnormalities; [REDACTED]

If you've noticed any inaccuracies or liberties taken with these settings, then I apologize for the liberties taken to make all of this work. When I started my story, my aim was to tell the most grounded FusionFall story I possibly could, which meant that to realistically illustrate the various shows of CN in the same setting and together, I had to change various tiny details (such as the location of Camp Kidney) or massive details (such as moving Steven Universe from the East Coast to the West Coast). Really sorry about that. I wasn't intent on simply transposing the map from FusionFall, which would have simply been mashing all the locations together. Each show has its own unique setting, some of which are integral to the shows' aesthetic. I wanted to honor that as much as possible, and every major change made hurt to make, especially since it fits into the grander plan.

Now obviously, scenic descriptions aren't going to be much help, but since I can't really draw out a map of the CNU’s California here, I'd like to direct you to my associated Deviantart page: https://www.deviantart.com/noahvilgaxsane. I might be able to draw out the map and post it there.

If you've already clicked, you might notice that I've created a non-spoiler wallpaper for this wonderful project! Not just for FusionFall, but for the series I have planned as a whole.

Thank you all for letting me give you the layout of the Cartoon Network World so far, and I'll see you guys in Chapter 7, written on Fanfiction.net. Make sure to leave a review and follow the story if you’re interested!

[letterstothemidnightsociety]

It may be 2020 and the world is slowly crumbling around us but if global pandemics, a U.S. civil war election, and murder hornets and now rumors of Putin’s resignation(???) aren’t sensational enough, it’s time for Sweeps! And I’m still watching Supernatural to avoid all my problems because, well. That should be obvious. 

Cas is all of us.

OH! and there will be no discussion of the events of November 5 because guys, I’m still in season 1 right now, I’m not there yet. But yes, I KNOW. 

Ok, so before we talk about Sweeps, let’s take a moment to appreciate that at this point in my Supernatural journey, we’re in the back half of season one, and that’s a real miracle for any tv show to get this far. Or at least, it was at the time, when a show could be ordered for the first 13 episodes and then be on the hook for the rest, or Back 9. Supernatural was lucky in that it had been picked up for the full season after episode 4, so there was probably more time to prep that Back 9 than a Front 13/Back 9 show would have been. 

BUT that doesn’t mean the pressure isn’t on! Cuz we’ve hit the mid season, we’ve come back from Christmas break, and now it’s Sweeps!

Friendly reminder that TV’s here to make money folks, and Sweeps Week/Sweeps Month are (were??) vital to a season’s success or failure.

It’s Sweeps!

Alright, we’ll back track even further: TV networks and TV stations - the local centers that actually broadcast the shows in a given market - make money by selling ad time. They set the prices for that time by how many viewers are hypothetically watching at any given hour of the day. That’s where ratings come in, specifically Nielsen ratings. Nielsen Media Research, historically one of the most important media research firms out there, has been collecting audience data since the 30’s. They used to cold call households and to ask what each member of the household were listening to on the radio. When television came onto the scene, Nielsen started also collecting data on who was watching what. Ultimately, they dropped the cold calling in favor of diary keeping. Yes, they would actually send out diaries to a certain number of households in a given market, ask the residents to report every show they watched in a given week, and then four times a year, they’d “sweep” the country, collecting those diaries. These diaries would then impact the rate for ad time in each of those markets. Sweeps weeks happened four times a year - November, February, May, and July. And in fact, Sweeps Week is really more like Sweeps Month since it would take a month to deliver diaries to the households and then collect them again. Now, we can gather that data electronically (that is, faster), but Nielsen still tracks viewers for the whole month.

Actual Nielsen Diary which actually lists that someone actually watched a rerun of Seinfeld on TBS. Actually. 

So what does Sweeps mean to the people actually producing television? Basically, it means you have to have some real hot sh*t in November, February, May and July. You’ll know you’re in Sweeps when the news stories suddenly get...wild. You know the ones - Killer Hornets in Your Area! When Hugs Kill! Is Your Government Killing You?? Oh wait, that may just be 2020. 

For non-news outlets, Sweeps means saving your big episodes for strategic times of the year. You may notice, dear reader, that Sweeps lines up with some key tentpoles in a traditional television broadcast season. The end of November is usually midseason/winter finale time. Midseason finales are a big deal for many reasons, namely making sure you leave your viewers with a desperate desire to come back after the holiday break, but it’s also a good time for getting those big Sweeps numbers. You may also notice that sweeps # 3 is in May - that’s usually season finale time. February, Sweeps # 2, is right in between and July is just before the doldrums of summer. Honestly, July feels like a weird time to look at ratings, but that’s cuz I was raised on TV and it’s just an unwritten rule that there’s nothing good on in Summer.

Ok, I lied - I’m gonna talk about “Despair”, for just a second, I promise, minor spoilers ahead. This episode aired November 5 2020. That’s the final Sweeps period for 2020. And Sweeps may not mean anything to a show in its final season, specifically in this season, but it pulled out some big stops. Declarations of Love and Major Deaths? Yeah, those are two key staples for Sweeps, and I don’t think it’s a coincidence they weren’t pulling any punches in this episode. I know COVID delayed production, but even if they hadn’t restarted airing the season in October, this episode would have aired during May Sweeps. It’s also a series finale, so Sweeps isn’t the only consideration but it’s gotta be some consideration. 

So let’s look at episodes 13 - 16, our February Sweeps Month episodes for season 1. What do we have? 

Route 666 - Aired January 31, the beginning of February Sweeps

Here’s an episode that felt incredibly dated, but also incredibly relevant to today. The fact that Cassie has to fight with the mayor to prove that Black people are being specifically targeted felt a little Too Real Roy. They mayor even gets defensive that Cassie implies he might be racist because how can he be racist if he has Black friends? Does he say those words exactly? No. But that’s kind of the vibe you get off that conversation. I mean, I think I spent most of this episode making fun of a Racist Monster Truck that’s out there killing people, but honestly, slap a Confederate flag on that bitch and you’ve got any given rally or protest in America right now. I would almost consider this a Very Special Episode of Supernatural, where our brothers (and by extension us as the audience) learn about racism and the toll it takes on people of color, specifically Black Americans in the South. So there’s that.

But more importantly, for Sweeps week in 2006 anyway, was THE SEX. Not only does this episode comment on race in America, but Dean has a girlfriend and they totally bone. I mean, we’ve spent 12 episodes with just two dudes being dudes. Has there been flirting with random extras? Yes. Has there been any satisfying follow through? No. Because you save that for Sweeps. And it works. According to Wikipedia, “Route 666” had 5.82 million viewers the night it aired in America. The episode the week before, “Faith”, only had 3.86. That is almost 2 million more viewers who turned in to watch Jensen Ackles get tossed onto a bed with his shirt off.

Apparently this scene was a big deal because the network expressly told the producers not to have a lady on top and Supernatural just...did it anyway. Way to go, Supernatural, being progressive in all the right ways. Also, because I HAVE to say it, her name is CAS(sie).

Nightmare - Aired February 7

Next up is The One Where Sam’s ESP Comes Back! And boy was this rough. I mean, it’s nice and dark and also brings the show’s Mythology to the forefront, but it ends hella ambiguous. How Sweeps is it? Well, I imagine that the priests getup was included in the trailer as another Sweeps gimmick. 

And I can’t decide if including Beth Broderick, OG Aunt Zelda from Sabrina the Teenage Witch, is a big enough guest star to be a draw? 

I can’t not see Aunt Zelda

This episode feels like the show is really digging in to its Horror roots again. There’s some gorey special effects. There’s also a lot of small moments in this episode that I really liked, good acting moments and good character moments. It builds in some conflict between the brothers that never really gets resolved, just sort of deflected and kicked down the road for later. Is this Sweeps material? Maybe? The numbers on this are lower than on the previous episode - only 4.27 million viewers, but it’s also not as eye catching as Dean getting tossed on a bed with his shirt off. 

The Benders - Aired February 14

I actually really like this episode, even though I forget this is even in season one. This one’s got a nice reversal of the formula for the show - for the first time we see that the monsters killing people are just...people. Or, as I said in my notes for this one - “they’re hicks! They’re just hicks, guys!” They’re not Supernatural at all. And I LOVE the Cop Buddy that Dean picks up. Jessica Steen as Officer Kathleen is SO A+, I would definitely watch a spinoff show of her life.

Dean, what IS this? What is this conversation?

But there’s not a whole lot of gimmick here, not a whole lot of flash. This is just a solid episode, but not a lot of audience grab. The key to that, I think, is in the air date - February 14. It’s possible they stuck this here because they did not expect a lot of viewers, and in fact, they only had 3.96 million viewers tune in that week. Still a good episode though.

Shadow - Aired February 28

And here’s our final episode for February Sweeps. We’re finally getting back to the main story arc. Not only do we see the return of Meg, our most prominent antagonist so far, but we also get the first reunion with John Winchester! I’d say this is a Sweeps episode that’s geared more towards season-long-fans than first time viewers. There’s a lot that happens - 1) Meg returns and reveals her cards as a Big Bad (Medium Bad?). 

Oof. That’s...that’s SOME dialogue, guys.

2) John shows up and tells the boys that he knows what killed their mother (and also Jessica). 

Ugh. Can we talk about this scene and how John just like, tosses out a whole bunch of information in the douchiest expo dump I’ve seen in a while?

3) John shows up. 

These are moments that viewers who have been following along have been waiting for. There’s weight to the scene where Sam and John talk to each other for the first time in years - you feel the tension, you feel the fight that broke them apart, but you also feel the regret, the fact that both of them wish they could take back that fight even though they meant every word of it. It’s good pay off for the hours we’ve spent watching up til now. Of course, Dean deciding the team needs to split up again at the end feels like a real slap in the face. I’m pretty sure I felt it the first time, but definitely this time - John showing up feels more like a tease to keep us interested than any actual development to the show and it makes me feel like I’ve been tricked as an audience member. It feels like they only had Jeffrey Dean Morgan for, like, one day on set. I didn’t think his turn on Grey’s Anatomy was THAT big of a deal, but maybe it was? Maybe he was super busy? Or maybe the show just be like that. But the numbers are good - 4.22 million, a little up from the previous week. Not Dean Bones numbers, but not bad either. 

Here’s the thing about sweeps guys - 15 years later and they’re kind of...irrelevant. TV still makes money on ads, sure, and there are probably more lucrative times of the year than others - Summer is still kind of the doldrums of programming - but even broadcast networks don’t run the same way that they used to. As early as 2014, the networks were doing their best to compete with streaming services and on-demand viewing by offering new content all year round, not just during key months. Broadcast networks might still program around Sweeps but that’s not needed now. And Nielsen ratings have been under scrutiny for years, thanks to TiVo. TiVo, guys, not even online streaming. When an audience is not tied to specific time frames, how do you really measure the true number of viewers? Nielsen’s methods of counting viewers hasn’t exactly kept up with the way we binge and watch when we feel like it. As late as 2018, Nielsen was still relying on paper diaries, despite the fact that they’d been using more accurate and up to date electronic methods since 2005. And again, with year-round programming, it isn’t necessary to focus on a specific times of the year. 

In terms of business models, I think it’s also important to remember that when we’re not watching broadcast TV, we don’t mind paying directly for our new means of viewing. That’s how cable works, that’s how streaming works. I’ve been paying for Netflix through multiple price hikes and haven’t blinked an eye. I joined Disney+ early enough that I paid for a three year subscription. My parents are cable TV cord-cutters and they’re perfectly happy with a combination of Hulu+ and Roku. 

But a lot of TV still does rely on ad time to make a profit. And for those shows, it’s even more important to use measurement methods that encompass accurate viewership numbers. I don’t see a future where Networks use a cable station model (based on subscription fees) rather than on ad dollars. However, I can see a future where Networks do away with Sweeps.  Instead, they’ll just offer up that batsh*t sensational content all year round. 

[bthenoise]

We’re Starting To Lose It So We Made A Fake Music Award Show To Remember The Quarantine By

We are losing our minds and we aren’t talking figuratively like The Pixies. Every morning waking up in quarantine feels like an episode of Punk’d. 

Where is Aston Kutcher -- oh right, it’s 2020 -- Where is Chance The Rapper? we ask ourselves as we peel ourselves out of bed for what feels like the millionth time.   

Seriously, though. We know you guys are feeling the same way too. We read the tweets. We see the TikToks. Ya’ll are losing your goddamn minds just like us. 

The good thing is, to help with this sense of craziness as best as we possibly can (which isn’t saying much, we aren’t doctors after all -- shout out to all the amazing medical teams out there!) we have constructed the first and hopefully last 2020 Noise Quarantine Awards.

Featuring highly coveted awards such as Best Soundtrack To Fuel Your Hatred For The Government and Best Song To Steal Toilet Paper To, the awards below are meant to shine a light on all the positive things to come out of 2020. 

We know it sounds like an impossible task to put “2020″ and “postive” in the same sentence but somehow we did it. 

Check out the awards below.   

Fantastic Features Award

Silverstein - A Beautiful Place To Drown

Honestly, there are probably about ten different awards we could give Silverstein’s sensational LP A Beautiful Place To Drown. From start to finish, this is hands down one of the band’s best albums yet. However, for the sake of this very serious and very made-up award show, we are happy to present the scene staples with the Fantastic Features Award. 

Not only did the band include familiar favorites such as Beartooth’s Caleb Shomo, Simple Plan’s Pierre Bouvier and Underoath’s Aaron Gillespie, but they also went out of their way to include other artists such as emerging rapper Princess Nokia and Intervals’ guitarist Aaron Marshall. Now if that doesn’t deserve an award, we don’t know what does.  

Back Off Pit Daddies Cause This Song Slaps Award

A Day To Remember - “Mindreader”

But there’s no breakdown! How am I supposed to mosh to this? Would you quit your whining? It’s pretty much impossible for A Day To Remember to write a bad song. And sorry to break it to you pit warriors, they definitely didn’t start with their newest track “Mindreader.

Best Album To Eventually Soundtrack The Next Matrix Movie

Code Orange - Underneath 

Does this one really come as a surprise? Essentially creating their own genre of technology-influenced metalcore (computer core, maybe?), Code Orange’s Underneath is the perfect soundtrack to any type of action-packed, dark web-based, sci-fi thriller like The Matrix trilogy. Now would you like the red pill or the blue pill?  

The Welcome Back, We Fuckin’ Missed You Award

The Ghost Inside - “Aftermath”

A world without new music from The Ghost Inside is a world we don’t want any part of. Thankfully, for the first time since their tragic bus crash back in 2015, the metalcore maestros have returned with the hard-hitting and incredibly emotional track “Aftermath” taken from their soon-to-be-released self-titled album. So for that, the least we could do is present the band with the Welcome Back, We Fuckin’ Missed You Award.  

Honorable Mention: D.R.U.G.S (aka Craig Owens) - “King I Am”

Best Song To Listen To On Repeat And Realize You Successfully Killed Two And A Half Hours Of Your Quarantine

Loathe - “Screaming”

There is nothing made up about this whatsoever. We seriously thank Loathe for creating mind-altering music that transports you to a new dimension.  “Screaming” is a gem and the band deserves to be awarded for it. Oh, and also, I Let It In And It Took Everything is an amazing record everyone needs to hear ASAP.

Best Album To Get Drunk And Talk About Your Feelings To

Violent Soho - Everything Is A-OK

We’re not sure exactly what it is about Australia’s Violent Soho but they always seem to bring the deepest and darkest emotions out of us. Their latest LP Everything Is A-OK is no different. From track one to track ten, the band’s first new album since 2016 is an emotional magnet attracting feeling after feeling leaving us desperate for a drinking buddy and a good cry.

The If It Ain’t Broke Don’t Fix It Award

August Burns Red - Guardians

August Burns Red has been a prominent staple of the heavy music scene for years. Since bursting out of Lancaster, PA with 2005′s Thrill Seeker, the two-time Grammy-nominated act has been a constant source of inspiration with their bruising, top-notch musicianship. Fifteen years later, with the release of their ninth studio album Guardians, the metalcore vets are still as heavy and hard-hitting as ever deserving of our If It Ain’t Broke Don’t Fix It Award.   

Best Album To Eventually Soundtrack The Next Season Of Black Mirror

Enter Shikari - Nothing Is True & Everything Is Possible

Enter Shikari is easily one of the most unpredictable bands in our scene. One minute you think you have them and their eclectic sound pinned down, then the next they release their genre-shattering LP Nothing Is True & Everything Is Possible. With cinematic twists and turns from the rock-oriented opener “THE GREAT UNKNOWN” to the cosmic tornado that is “{ The Dreamer’s Hotel }” and circus-themed “Waltzing Off The Face Of The Earth,” Enter Shikari’s spellbinding LP is a perfect fit for something just as fascinating as the next season of Netflix’s Black Mirror.

Best Album To Get Your Medical Degree To

Vermicide Violence - The Praxis Of Prophylaxis 

We understand it’s not easy to comprehend deathcore lyrics. However, if you’re in need of a good study buddy while you prepare for the boards, look no further than Jarrod Alonge’s new parody album The Praxis Of Prophylaxis. Covering high-end medical topics such as vaccines, gingivitis, asthma and more, Vermicide Violence’s new LP is sure to help a lot more than those Grey’s Anatomy re-runs.    

The Tasmanian Devil Award

Rotting Out - Ronin

The Tasmanian Devil award is a highly coveted prize (possibly one of our most coveted) given to the album with hands down the most circle-pit-inducing tracks. While there have been some pretty good options this year, the record that stands out the most is Rotting Out’s first new album in over seven years, Ronin. Without going too far into detail -- because honestly, it’s pretty obvious why we picked this record -- if you’re able to stand still while listening to these fiery ass songs, you’re probably a cop.

Best Album To Get Drunk And Talk About Your Feelings To Part Two

Spanish Love Songs - Brave Faces, Everyone

Really? You’re gonna complain we used the same category twice in a made-up award show only created cause we’re stuck living fucking Groundhog Day over and over again? Instead, how about you put that same energy into enjoying Spanish Love Songs’ brilliant, tear-jerking album Brave Faces, Everyone. You won’t regret it.

Best Soundtrack To Fuel Your Hatred For The Government

Anti-Flag - 20/20 Vision

Regardless of if you’re really into politics or not, it’s practically impossible at this point to not swear at our so-called “leaders” up in Washington DC. So if you’re looking for the best album to fuel your hatred for the Head Cheeto In Charge and all his helpless minions, look no further than Anti-Flag’s powerful 20/20 Vision.

Honorable Mention: The Homeless Gospel Choir - This Land Is Your Landfill

The Album Most Likely To Get You Out Of Mosh Pit Retirement

Polaris - The Death Of Me

This record is the definition of “slaps.” From beginning to end, Polaris’ punishing new album The Death Of Me is a heavy-duty rollercoaster ride that will leave you with a melted off face and an endless desire to jump back in the pit and crack a few skulls.  

Best Album To Rip A Phat Riff To

Hot Mulligan - You’ll Be Fine

Hot Mulligan are a bunch of jokesters but there’s nothing funny about their new album You’ll Be Fine -- alright, maybe a few of the song titles are a little silly. The band’s latest release is a guitarist’s delight with ringing mathcore-like riffs that will leave you both jubilant and jealous. Case in point, give the infectious opener “OG Bule Sky” a spin and get back to us.   

Honestly, Fight Us, This Song Is A Bop Award

All Time Low feat Blackbear - “Monsters”

We know what some of you cool cats and kittens are thinking: But this isn’t pop-punk!? Since when does Blackbear get a scene pass? Listen up. No, this song isn’t “Dear Maria, Count Me In” but who cares? It’s 2020 and musical genres are dead. Enjoy the good music while you can before we’re all dead too, okay?

Honorable mention: PVRIS - “Deadweight”

Best Song To Steal Toilet Paper To

The Chats - “Drunk N Disorderly”

If you haven’t had the fear of potentially wiping your ass with a washcloth over the last few months, this award probably isn’t for you and your 30 extra rolls of toilet paper. However, for us regular folk who have a limited supply of TP, The Chats’ fast-paced High Risk Behavior track “Drunk N Disorderly” is the perfect song for stumbling into someone’s home and swiping a roll or two.  

Wow We Didn’t See That Coming Award

Falling In Reverse - “The Drug In Me Is Reimagined”

Ronnie Radke has never been afraid to push boundaries musically. Whether it’s rapping on a track or dropping an upbeat, synth-laced single like “Bad Girls Club,” the former Escape The Fate frontman always seems to have something new up his sleeve. This year, to help celebrate 2011′s The Drug In Me Is You becoming gold-certified, Radke and Co. released an epic piano-lead version of their fan-favorite title track. The results? A majestic dream-like experience worth repeating over and over again.

If You Hurt Mother Earth One More Time We Swear You’re Dead Award 

In Hearts Wake - “Worldwide Suicide”

There’s been a lot of talk about global warming over the past few years. Recently, while we’ve all been stuck at home, skies have become clearer than ever as wild animals roam the barren streets. This is a dream come true for earth-friendly metalcore act In Hearts Wake. 

Now as some cities start to reopen, let us remind you: If you even think about going back to your wasteful, pollution-heavy ways, we and In Hearts Wake will come for you with the same force and brutality as heard on their newest track “Worldwide Suicide.” Watch your back.

Sure It’s Different But Still Kicks Ass Award

The Used - Heartwork

This isn’t The Used you knew in junior high. Bert McCrackin and Co. have returned with a fresh-faced 2020 LP that is sure to make you feel some type of way. Featuring guest appearances from members of Blink-182, FEVER 333 and Beartooth, The Used’s latest is a heavy-yet-dancy addition to their beloved-and-never-stale catalog.  

Better Not Sleep On This Record Award

Charmer - Ivy

Look, you literally have nothing but time on your hands. Why not spend it discovering new music from bands who deserve your attention? Seriously, turn off Love Is Blind and Too Hot To Handle and give Charmer’s moody 11-track release Ivy a try. You can thank us later.

Honorable Mention: Big Loser - Love You, Barely Living

Holy Shit We Can’t Believe That Just Happened Award

Dance Gavin Dance - “Calentamiento Global”

Four words we’ve all been thinking since Dance Gavin Dance dropped their highly anticipated album Afterburner: Tilian can speak Spanish!?

Giving the entire Swancore community a jaw-dropping moment with their new experimental track “Calentamiento Global,” in the song, DGD’s brawny frontman shows a little latin flavor with lyrics like “Te adoro, mi reina. Eres la única que veo.” Unsurprisingly, like most Dance Gavin Dance (or should we say Baile Gavin Baile) experiments, the post-hardcore act totally nailed it. 

The Back To Basics Award

The Amity Affliction - Everyone Loves You... Once You Leave Them

The Amity Affliction caught a lot of flack for their experimental 2018 release Misery. While entirely unwarranted as the metalcore vets were just looking to expand their sound, for their 2020 LP Everyone Loves You... Once You Leave Them, the Aussie outfit returned to form with their breakdown-heavy musicianship and brooding lyricism. Still have doubts? How about you give “All My Friends Are Dead” a spin or two.  

Skankin’ Pickle Award

Skatune Network - Ska Goes Emo, Vol. 1

Here’s a fun one. Adding to the list of things we never thought we’d see in 2020, go ahead and add a ska record covering some of your emo favs like My Chemical Romance, Paramore and Blink-182. Already known for his creative covers, Skatune Network really outdid himself this time around with his Ska Goes Emo LP. Who would have guessed you could skank so well to “I’m Not Okay (I Promise)?” 

The 2020 Glow-Up Award

The Word Alive - Monomania

The Word Alive has seen a lot of change over the course of their ten-year career. From 2010′s hard-hitting album Deceiver to this year’s impressive LP Monomania, the band has really grown into who they are today. For the first time, instead of putting out the music they’re expected to release, the Arizona act really stepped out of their comfort zone and dropped the music they wanted to make resulting in one of this year’s freshest and best so far.

Chocolate Covered Cranberries Award

Four Year Strong - Brain Games

For five long grueling years, we went without new music from easycore noisemakers Four Year Strong. This February, that all changed with the release of the band’s killer seventh studio album Brain Pain. Bringing the guitar-lead heaviness fans have come to love over the years along with their infectious pop-punk-leaning songwriting, Four Year Strong’s new record is the perfect balance of sour and sweet -- like chocolate covered cranberries! Who’s hungry?    

[liray-stylespk]

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[yououghtaknow]

5, 29 and 30? Also, I read all four seasons of Skam Brighton over quarantine and it was fantastic! The changed storylines were so refreshing and I’m so excited for season 5 💛

hi!!!!! thank you so much for asking and thank you so much for reading <3.

29. which version (og + adapts) does yours most closely resemble?

hmm. well i would say skam austin, definitely, as a western english speaking remake. also with the dance team/theatre club vibes and the music aspect. also skam españa, definitely, with the centring of the girls' stories and just the beautiful friendship tone of it all, which is what i really wanted to get across. also some druck in there, with the realism and fixing the trans wrongs they did. and alistair fletcher has the drama of skam france, just as a character. what do these remakes all have in common? canon wlw. which was the main thing i wanted to write in this remake. skambr has 11 canon named wlw characters who have all played major-to-minor roles in the plot of each season, with 5 of them being members of the girl squad and three of them being mains and having wildly different experiences with their attraction to women because you can’t sum up the lgbt experience with just one person.

30. free choice! just give us some fun facts about it!

fun fact: i have never physically been in brighton. i would like to be one day, but i will most likely not get there before the series finishes.

second fun fact: i was originally planning to write a skam remake set in derry, northern ireland before i wrote skam brighton. that idea has morphed into something else that i plan to write, but it is a fun fact!!

and now. the big one.

5. what are some iconic soundtrack moments?

here we go lads, seasons 3 and 4, like promised.

season three

tw for discussion of mental illness and suicide, drug abuse and violence throughout.

trailer

WE START OFF!!!! WITH A BANGER!!! "tainted love" by soft cell. it’s an iconic 80s banger that we all know and love, about a toxic relationship, and we see a type of favourite character that is niche to me (the guy with perfectionism/parental issues who did some fucked up stuff in a piece of media who not a lot of people like). it’s jake baby. it’s about him living his life and being like “i feel like i have to run away from all of this” (a sentiment which shall be echoed later on). and jake with all of his different masks…….. i was ahead of my time.

episode one

we open with “say amen (saturday night)” by panic! at the disco which is. kind of yikes now, but the song does have the vibes i desired for the opening scene. a party-esque banger. lyrics like “i pray for the wicked on the weekend / mama, can i get another amen?” for the catholic imagery and mommy issues. also panic! is known throughout history to be an lgbt band. 

then we get “get out of my head” by redlight”, just for the mental illness of it all. also it has been said that i do love a good party song with deeply depressing lyrics about the main playing in the background <3. 

and then we get me ripping off druck with “idontwannabeyouanymore” by the theorist playing because i just wanted to use a piano cover of the song because silence with just instrumental is just very dynamic and mentally ill. 

and then we meet eleanor with “insane” by sonny fodera and biscits, which is basically just the lyrics “girl you make me go insane” because. well. you hate to see it folks, but we gotta foreshadow the internalised ableism and the hating one woman as a treat.

and to close off a very music filled first clip, we got “drive” by halsey, a staple of tumblr culture back in the day because it is just like “all we do is think about the feelings that we hide”. literally when you are gay and alone and are just so desperate for someone to see you but also so deeply afraid of it because that means change coming <3 

AND THEN!!!! we meet the love of my life ms christine love as she hums “express yourself” by madonna as she cleans the house. i wanted to give christine a lot of 80s music in her scenes, to show that she’s living in the past in regards to jake’s dad. also it’s just a good song, “you gotta make him express how he feels” is me writing any of the characters having dialogue.

AND THEN BABY!!!!!!!!!!! we get a moment i love so deeply. “mama who bore me/reprise” by the sweet signatures. an all female acapella cover of the iconic spring awakening song. this song has everything - heavy metaphor about sex, wanting your mum to tell you shit, catholic imagery, teen angst, amazing belting. we get the slow part as jake is alone and just trying to work out how to help his mum, and then get the ANGRY BANGER as jake goes out to play with his dogs to get his frustrations out, because at the end of the say, all of these characters are still kids <3

then we get “young (club mix) by jaded because i just wanted kind of boring straight party music for the bryan and rory scene. 

BECAUSE THEN LGBT COMMUNITY!!!!! we get jake’s dramatic walk down the hallway as “somebody to love” by queen plays. it’s about the catholicism, it’s about the being gay, it’s about the being so fucking lonely and just wanting somebody!!!!! also the parallel between jake’s lonely scene with “somebody” playing and liz’s crowded scene with “nobody” playing…. it’s about mentally ill people being different but also the same <3

AND. NOW. THE MOMENT I’VE BEEN WAITING FOR. we meet Him. the most valid theatre kid rep in the world. mr alistair thomas fletcher, who enters our lives singing “shallow” from a star is born under his breath as he washing his hands. once again, i’m ahead of my time. but also the first lines al sings are, metaphorically, him talking to jake. like “aren’t you tried trying to fill that void / or do you need more”. and then we begin a piece of foreshadowing most pleasing to me. alistair in season 3 and the recurring motif of falling, which will climax at the end of episode 10. also foreshadowing of his experiences with bipolar disorder with “in all the good times i find myself longing for change / and in the bad times i fear myself”. and we also begin the motif of jake interrupting al’s singing. 

(you may be thinking, isaac tumblr user nickhealy, you’re putting a lot of thought into this. that’s because out of all of the characters, al’s the one who never really expresses himself with his words or actions - he usually expresses himself primarily through music, which is a very fun and autistic thing of me to write.)

(also, the og episode 1 bench scene did make me feel very. not good as a gay trans guy, with all the talk of penises and such. it’s just very sexy of me to change it to al talking loudly about ballet and elton john. and then we get jake up on the balcony and al down yelling up at him. because i have literally never referenced anything subtly in my life)

and we end with “how does it feel” by m-22. like: “how does it feel when your walls fall down /  how does it feel when you're lost and found / how does it feel / it's the sweetest sound”. like it’s about jake meeting al, king of not being Good At Social, fletcher, and instantly being like “yes, husband material, thank you”.

episode two

(yes, this episode is titled after the gay hsm song. yes i’m a genius)

we open, as all good things do, with a fun homoerotic punk song with catholic imagery “east jesus nowhere” by green day. it’s just jake being like “i am Trying to find the instagram of a cute guy outside of church, love being a sinner”.

and now we see the beginnings of Sad Boy Jake, with “it’s ok, i wouldn’t remember me either” by crywank. we got “i am looking for an easy place / to mask my thoughts behind my face” and “i can hide from friends but i cannot hide from you” because he’s gay and he has depression. 

AND THEN!!!! we get “i like you” by dandelion hands playing as he comments supportive things on the youtube video of al….. literally jacob love will see a pretty boy one time and be like “last time i had you i should have kissed you”. also his alternate name being jack valentine…. valentine and love ugh my brain is so big

AND THEN!!!!!!! slow mo time, with “bite” by troye sivan…… a gay classic, if i do say so. like it’s about jake seeing al casually walk past, being all prententious and out, and jake’s just like “please set me free and let me walk beside you” because of the gay experience of simutaneously wanting to be a person and kiss them.

and then we get “the daisy chain” by the growlers. “feeling pressure on every side” and “tired of waiting to be explained / weakest link in the daisy chain”. it’s just the vibes babe.

AND THEN!!!!!!!!!!!!! a brilliant moment in my bare a pop opera stanning career - we get jake watching a bootleg of bare 2004 as “role of a lifetime” from the show plays. literally one of the most gorgeous songs ever written, sung by matt doyle. like everything is an act when you’re pleasing everyone - which could be the tagline of skam brighton as a whole. also jake watching “see me” and beginning to tear up because he’s afraid to come out to his mother and get the same negative reaction….. and him watching “cross” and sobbing because he relates to jason so much and feels like he would also be better off dead than gay….. 

BUT AFTER THAT!!! we smash cut to al as jeremy in be more chill, singing the beginning of “more than survive”. absolute king shit!!!!! also, i don’t remember if it’s mentioned in canon, but eleanor is the person who plays the squip in this production of bmc, because i am not!! subtle!! with!! my!! metaphors!! 

and we return to sad boy jacob with “swear to god the devil made me do it” by the front bottoms, chosen because references to the devil and mommy issues <3

AND THEN!!!! A MOMENT OF GREAT FORESHADOWING!!! we get mister alistair fletcher practising alone in a theatre because he is dramatic, and jake walking in as he sings “broadway here i come” from smash. we got references to saints, we got hints at al’s anxiety, we got the falling motif coming back in a song explicitly about jumping off of a building, that also doubles as a song about wanting to do theatre….. also, al plays the last note wrong as a metaphor for al’s plan of suicide going well until the very end, where he ends up alive and goes home.

(side note, we also got the football team’s jackets and signature colours being black and white (straight pride flag colours babey) and then we see al in bright yellow. it also represents jake’s depression and al’s mania, the everything and the nothing of it all.)

AND THEN!!!! we get manic (in the most literal sense of the word) pixie dream boy al asking jake to dance with him to “movement” by hozier because. it’s literally just such a beautiful song. and jake is just watching al dance like “hm. no thoughts head empty just pretty boy”. also the scene itself is a reference to wicked, with jake doing an awkward and stilted dance and al taking it and turning it into something graceful (the glinda and elphie scene in dancing through life)

and then we get the return of blue neighbourhood with “youth” by troye sivan playing over a smoking montage with the boys, because they’re young, they’re gay, they’re vibing

AND THEN!!!! we get “talk” by hozier playing as the episode ends - a song that of course references orpheus and eurydice, as al also did in this clip with hadestown. it also plays over ellie talking because jake is just Ignoring her to pay attention to al. also the inherent homoeroticism of making eye contact while hozier plays

episode three

we open with “highway to hell” by ac/dc over a fun football montage of jake both playing the game and getting bored and checking out guys. it’s about the thinking he’s gonna go to hell for doing it but he literally Cannot Stop

AND THEN!!!!!! a moment. we get a performance of some of “all you wanna do” from six by al and ellie and their theatre kid friends as they rehearse for something at lunch and jake, bryan and rory watch them. ellie’s doing the whole flirty k howard thing, and not actually getting into the real feeling of the song, and the guy she’s dancing with it awkward as all fuck because he’s her cousin. so we get al stepping in and fucking going the fuck off. and we see how good of an actor al really is in this scene, as he’s legit scary. we also see ellie clearly having feelings towards al and him just being like “yep good acting! moving on!!!” because no thoughts just dance. also bryan and rory not understanding that the song is about assault and jake being genuinely concerned….. and then al and ellie’s kiss at the end as ellie “dies”..... god the real reason this show isn’t made is because i would be too powerful if i could make everyone see my theatre kid mischief.

AND ANOTHER MOMENT!!!! we get “like a prayer” by madonna playing as jake is living his life and taking some “am i gay” quizzes - the questions of which are comprised of actual am i gay quizzes i took to make the scene as legit as possible, and as a gay trans person. Did Not Like. Would Not Recommend. also jake admitting he’s gay to the quiz because he’s pissed about the concept of misgendering al….. also jake forcing himself to pick the straight options even though it’s emotionally hurting him…. and then we hear christine singing in the hallway “everyone must stand alone” because it’s jake pov at the time…..

AND SMASH CUT TO!!! fall out boy’s cover of “i wanna dance with somebody”, because at the last very gay house party “i wanna dance with somebody” played and i love a good parallel

AND THEN!!!!!! literally the hottest of all hot boy summer things, we get al and esther doing some karaoke at the house party with “don’t you want me” by the human league. (which, yes, is a glee reference.) THE LITERAL COURAGE OF THIS MAN!!!! alistair fletcher looked a closeted guy, who he has had three (3) interactions with in person, dead in the eye and was like “i know you want me”. as opposed to esther “just be her friend first and then see about anything else” montner and james “I Will Never Speak To You Again If You So Wish” cohen.

and then, because of course i did, we get “bad romance” by lady gaga playing over the next scene with the beginnings of the boy squad because it’s a gay house party and it’s a fucking banger for the ages

(also just the shift from al hot boy summer fletcher to al gay disaster fletcher with him running literally out of the house because he kissed a guy.)

“left handed kisses” by andrew bird and fiona apple plays after jake and al’s deep conversation outside. like jake’s really out here like “i don't believe everything happens for a reason” and “i don't go in for your star-crossed lovers / in the heart of a skeptic / there's a question that still hovers near” because al info dumped about his love for adaptation of romeo and juliet…. (side note, al is definitely an & juliet stan, as everyone should be, stream & juliet <3)

episode four

we open with a song i discovered when i was in a community theatre rip off version of cats, “the show” by lenka. it’s about a song about indecision in the middle of a church before confession, because jake can’t actually confess to the sins he believes to be true. it’s about the “'cause it's too much, yeah it's a lot to be something i'm not”.

And then we fade to “pink + white” by frank ocean (because mlm rights), and just like “you showed me love / glory from above / good glory, dear / it's all downhill from here” is a very al/jake line. also it’s a bop for a little football montage.

AND THEN!!!! on halloween, we get a little montage of jake dancing to “paradise by the dashboard light” by meatloaf as he makes himself a sandwich - it’s literally about just being happy and having a nice time. and also jake dancing to more old timey music because he’s going up to his parents’ old room and he’s also living in the past a little, with his childish snack and playful dancing.

(also, the phone call where al just infodumps about bare and jake’s listening and asking questions <3 it’s about the autistic love and friendship yet again)

and then we get “i’m so tired…” by lauv and troye sivan as we arrive at the very awkward ellie/jake/al pre drink, because Is Jake Not So Tired Of This Heterosexual Bullshit He Must Do.

(also, it is my personal headcanon, and therefore canon, that al convinced ellie to go with the angel and devil costumes so that he could pull up in his leo-as-romeo get up and live out his baz luhrmann esque fantasy).

AND THEN LGBT NATION!!!! we get “run away with me” by ms crj as jake and al literally run away from the party after al got misgendered and Pissed. it’s about the using romance and whimsy as an escapism from your shitty life, it’s about the being the in darkness and occasionally getting hit by the street light, it’s about the “i’ll be your sinner in secret”, it’s about the bare connotation with the “run away with me” parallels. it’s also about the song being one of the best songs ever written.

(and then we get the wedding, which, before i get into the song, is a reference to So Many Things. we got west side story with the fake wedding and first kiss, we got hadestown with al making the wedding rings from nature (a la wedding song), we got bare with wedding bells and the dream wedding, and in the scene, we get some vineyard scene from spring awakening vibes, with the discussion of the future and religion and philosophy…… quite literally i love art so much)

and then. ladies. a piece of writing written in Peak tender tumblr. al and jake have the kiss of their wedding to “pink in the night” by mitski. it’s literally about the “i know i kissed you before but / i didn’t do it right / can i try again?” of it all. like jake love voice “i glow pink in the night in my room / i’ve been blossoming alone over you”. the repression, the pining…………. i am such a talented man.

and then we end with a doctor who reference, with al saying “run”, taking jake’s hand and the two of them running out of the church as “run away with me” comes back in. it’s literally about al taking jake out of his dull life and helping him find his own happiness. it’s also about the inherent autistic culture of relating to aliens.

episode five

WE! OPEN! WITH! a song about being gay and falling in love with someone immediately after meeting them - “share your address” by ben platt. a bop for the ages. it makes me so happy, it’s a great “early stages of a relationship honeymoon stage” montage song.

(also, i just really love the detail i put in about al’s binder, because the cuddle scene with david and matteo in druck did make me worried because david was wearing his binder. like i understand why he wore it for the actor’s comfort but just the thought of sleeping in a binder…… terrible. awful. pain beyond my wildest dreams.)

(also also, al saying he couldn’t get on hormones because of “problems with his heart” is a lie, because he means because of his mental health, which is based on personal experience babey)

and then we get an iconic skam song: “talk show host” by radiohead plays as jake sits in the back of a drama club meeting, isolating himself. it’s literally about the “i want to be someone else or i’ll explode” of it all. 

and then we get “rock and roll” by led zeppelin as jake walks his dogs - just because it seems like the kind of song jake would like and it just vibed with the whole scene.

(also, the clip where jake texts al at the beginning of it and then asks bree about her family….. literally i’m so good at foreshadowing)

AND THEN!!!!! WE GET THE ICONIC!!! “involuntary teenage rebel” by clout from grandma’s closet plays as we get a jake solo slow mo. literally they were right when they said “they say i'm a teenage rebel / but i'm really just afraid of how i come across to others / and it bothers me when i look weak”. like that’s just another skam statement line babey. also it’s genuinely such a good song and literally helped inspire me to do more songwriting…. stream it 

and then we get “heaven” by avicii, chosen purely for the title being “heaven” because christianity centric season.

AND THEN!!!!! we get jake asking al to come save him from the shitty party, and al says “wait for me, i’m coming”, an obvious hadestown reference, and when he arrives, he’s singing the “la la la la la la la”s from the show. it’s because the party - where bryan, rory and ellie are - is, in al’s mind, hell, and he’s going to save jake from it. 

and then, because, as mentioned, the way al express his true feelings is through Music, we get al trying to comfort jake by playing him a song - “you matter to me” from waitress (put a pin in waitress, i’ll get back to it later). the inherent homosexuality in “come out of hiding i’m right here beside you / and i’ll stay there as long as you’ll let me”. also it’s just about mattering to someone. like, for the first time in his life, jake has someone who’s saying “i love you, you matter, i will be here for you” and he just needed that So Much. 

episode six

AND WE SMASH CUT IMMEDIATELY TO!!! “london boy” by taylor swift, a campy and beautiful bop!!!! because al Is from london and he Is a boy!!! (also, fun fact, i was going to make al be from ireland originally, but then someone in the skambr discord said this song should be used in a scene, and i was like “okay, fuck it, london time”)

(also, you can subtly see al’s mania in the london boy scene, with him coming up with quick ideas, clearly having very low anxiety through the past few episodes, and just taking off his shoes and going for a walk in a park in november…..)

and then we get “landslide” by fleetwood mac as jake lies in his dead dad’s bed. it’s really about the “can the child within my heart rise above? / can i sail through the changing ocean tides?” and about the grieving as a child and your mental health getting worse while you’re still so young and you feel like the world’s on your shoulders and you’re both an adult and a child at once……

and then……. we get “class of 2013” by mitski after christine has her breakdown and jake packs his things to run away. it’s about both of them dealing with their grief by pretending it never happened and having all of that build up inside of them until they can’t take it anymore. And i see the lyrics of “mom i’m tired / can i sleep in your house tonight?” in this specific situation as jake being tired of his father’s constant presence and he just wants to be in a house with his mother the way he remembered her before his father died. 

(and, sidenote, this is one of the saddest scenes i’ve ever written, in my opinion…...with jake being like “she’s so crazy, but i’m nothing like her” because he’s in denial of his own mental health issues and al seeing him saying that as “oh, he’ll see that i’m crazy too and want to leave”...... and al says his final goodbye to jake, using his full name, because he assumes jake will never want to speak to him again, but jake has no idea……..)

(also, jake parroting bryan’s words of “gay marriage is legal, so everything is fine” in the pride clip……. God. and the way jake’s internalised homophobia and ableism manifests in the same harmful way….)

and then we get “don’t threaten me with a good time” by panic! At the disco as they boy squad rolls up to the party in the park. it’s just a party song. no deeper meaning lads.

and then we get jake in the bathroom having a little breakdown (as a treat) to “Give me novacaine” by green day. it’s just about the using alcohol and drugs to cope with your poor mental health because you have no other quick way to make it all better. It’s about about jake trying both to numb himself and to force himself to feel something, but neither one of those things give him the results he wants.

episode seven

we open with another iconic and beautiful song: “life in italics” by clout from grandma’s closet babey. like jake love voice “all these troubles on my mind i’ve been lonely / building walls running from the old me”. thank you clout for literally writing some of the best lgbt music. 

AND THEN!!!!!!! a scene that brings me much joy. “gotta go my own way” from high school musical 2 plays in the other room as jake has a religious breakdown in a literal (storage) closet. and then al leaves the group chat and blocks jake…. like jake voice “another colour turns to grey / and it's just too hard to watch it all / slowly fade away”

and then we get “hello!” by role model as jake goes for a depressed jog and he sees bree out drinking with some random people. like “i never really talk much, keep it inside / to find someone who cares is getting harder to find / we should be dancing in the sun / it's hard when everything is numb”.

(also, at the end of that clip, we briefly shift from jake’s pov to al’s, as we see al filming in the park and he films jake running away…… do i know what this means metaphorically? not really. do i vibe hard with it? oh hell yeah)

AND THEN!!!! after jake and sandy have their beautiful conversation, we get “under pressure” by queen and david bowie, another older song, this time expressing jake’s joy as he finds some small solace with his younger self. it’s also just about the inherent homosexuality of the song and of sitting on the beach, eating chips with your best friend.

episode eight

WE BEGIN!!!! with a youtube video of ellie and al singing “wallflower” from we are the tigers. i chose this basically because i wanted to get more of a vibe of what their relationship is/was across, and also because i love the song (stream we are the tigers original off broadway cast recording). it’s also about the dynamic of the song being “shy introvert vs outgoing extrovert being very toxic friends”, and also about the ellie supporting al stuff, because she has canonically been there for him for years, just not in a very good way. also i wanted to write representation for the “had a very intense friendship with a girl pre-transition and then had a dramatic friend break up and now i’m a guy and feel disconnected from the whole thing, although it was quite homoerotic at the time” people. this scene also marked the beginning of my purely self indulgent musical number scenes, and be warned, this may the the first, but it is by no means the last.

and then it’s very music lite for the rest of the episode, until al returns, and jake’s like “hey, maybe you should stop talking to your toxic friend” and al responds by beginning to make out with him as “fuck time” by green day starts to play. the COMEDY of jake being like “seriously, i think--” and then all you hear is “OOH BABY BABY IT’S FUCK TIME”. skam brighton is a comedy show.

and then we get al “communicates through music and theatre references” fletcher beginning to sign the ASL translation of the bridge of “word of your body (reprise)” from spring awakening with jake - which is another Very tragic show - and al also literally says the line “and so you should”. and al responding to jake jokingly calling him insane by shutting him up with another kiss….. oh ladies.

episode nine

WE! OPEN! WITH! “love shack” by the b-52s as jake wakes up and sees james and al just having some Fun making breakfast in the kitchen. it’s just some boys being boys and having bants.

and then we get jake using al’s love language of music and singing “those magic changes” from grease, singing along to the jordan fisher and aaron tveit version because that song did assist in my gay awakening.

(also, al stanning female doctor pomatter in waitress and james stanning waitress as someone from an abusive household….. my mind.)

and now. we begin The Big Bad Clip. “why didn’t you stop me” by mitski plays over the beginning of jake and al’s london adventure. it’s literally about looking back on the scene as it happens in a montage and al being like “why didn’t you stop me from doing that”..... god.

(also, jake and al go to see waitress, which Has been played before, and it’s foreshadowing for how their relationship ends. jenna and jim’s relationship - the main couple of waitress - begins with them cheating on their parents and falling in love quickly in secret, but they know it’s not healthy for them to keep the relationship going, so agree to end things and part ways as friends who wish nothing but the best for each other.)

and then we get “oops! I did it again” by britney spears glee cast version, because it’s just really Sexy and Fun. also just the mentally ill experience of “oops! i did a manic episode again!”.

and then we cut between a piano version of “last night on earth” by green day, as jake sits alone in the hotel room, and “true trans soul rebel” by against me! as al walks down the streets of london, in a split pov, and then we see al having a full meltdown/breakdown in the middle of victoria station. like al voice in this scene “another night you wish you could forge, / making yourself up as you go along / who’s gonna take you home tonight? / does god bless your transsexual heart?”.

and then we get legit “last night on earth” by green day as jake walks away after ellie yells at him. just because it vibes so much.

episode ten

we open with “mystery of love” by sufjan stevens as jake walks down to al’s house, because it’s just a vibey song, and while i hate cmb//yn with the fury of a thousand suns, it Is a song written for mlm.

and then we get “better alone” by lykke li as jake researches al’s various diagnoses. and it’s just like “nobody wants to be the one to walk away / nobody wants to see the truth, then let it in, run away / nobody wants to know the ways they don't love you right” and then “i’m better alone than lonely”..... mr love

and then we get “let it be” by the beatles, a Very nostalgic old fashioned song with catholic themes and just big comforting and recovery vibes…. jake confessing his real feelings to the priest and then reuniting with christine in the church and hugging her tightly and they both agree on working on getting better….. 

and then we get to the talent show, where we see the end of ellie singing “on my own” from les mis - as jake did at the beginning of season one. is this foreshadowing? is it a coincidence? i honestly don’t know. i just chose it because basic theatre girl song.

AND!!!!! THEN!!!!!! we get the song that acts as al’s suicide note: “the goodbye song” by joe iconis (writer of be more chill and “broadway here i come” from smash). we get the return of the falling motif with “i’m flying away” and the lines that really act as what al imagines to be his final goodbye to everyone he knows, as everyone he knows and loves is in that building: “i'd stay if i could / but the universe won't let me / so please be good / and don't you forget me”, and then al turns the “aahs” at the end of the song from a catchy crowd pleaser ending to a long, painful scream as the audience slowly stops clapping, until the room is silent, and then he bows a la the emcee at the end of cabaret (a bow which is often viewed as a metaphor for the character’s death). it’s literally just al having a breakdown on stage, but he rolls a nat 20 on his performance check, and the audience are like “this is very good performance art”

we then get a flashback to “broadway here i come” because. i am a king of foreshadowing.

and then we get “wait for me” from hadestown (obc version) as jake runs to find al, and it’s about the role reversal of jake running to save al from something worse than al saving him for bryan. it’s about the repetition of “wait for me, i’m coming” because of the fear of “what if i get there too late?”

episode eleven

“a better son/daughter” by rilo kiley plays as jake looks through al’s two tumblr blogs - and the song simultaneously a very al and jake song. with the descriptions of depression and dealing with a mother with mental illness at the start, which are very jake, but then the lines “and sometimes when you're on, you're really fucking on / and your friends they sing along and they love you. / but the lows are so extreme that the good seems fucking cheap” are just the base character description for al.

and then we get “the archer” by taylor swift as jake goes into the school again…. like he has been the archer and he has been the prey, in regards to being gay (with him helping in outing sandy and being outed himself).....

(also, fun fact about the episode, it was originally written to be from al’s point of view, but then i decided against it and had to rewrite it, which is why there’s only 4 clips instead of the usual 5 or 6)

and then, lgbts, we get “the predatory wasp of the palisades is out to get us!” by sufjan stevens as jake walks his dogs  out on the beach and al goes to the beach to write his emo poetry…… also, fun fact, al’s poetry is the first time i’ve ever written poetry/lyrics that weren’t about me, which is very fun. 

and then!!!! at the beginning of the final clip, we got “footloose” by kenny loggins, the iconic bop from the film of the same name. just because it slaps and it’s a fun time.

(we also get some Foreshadowing with al referencing rent in this scene)

and then. transgender nation. we get “midnight radio” from hedwig and the angry inch playing over al and jake’s having fun and being dumb kids montage. 

i know riverdale made this song a meme, but it HITS. it’s about the al referencing origin of love in the cuddle clip, al saying “i laugh because i will cry if i don’t”, it’s about the “for the misfits and losers” and the “hold onto each other”. it’s literally about jake finding community and also wholeness and happiness in himself.

(also, jake talking about all the little soulmates and the fact that he believes that the boy and girl squads are all his soulmates in different ways…… and bree actually paying attention and showing some vulnerability at that point because she loves her friends so much!!!!!!!!!!)

season four

tw for discussion of sexual assault/rape, alcohol abuse and abortion throughout

trailer

lgbt community. we begins with the regrettes' cover of "don't stop me now" by queen because a) i think it's fun when women and b) it's about bree's mania that we've already seen throughout the seasons, this time from her perspective, and it's simultaneously a Fun Time and a Foreboding time.

episode one

we open with "hail mary, gentle woman" by the cathedral singers, which is literally just the prayer "hail mary", but a song. i chose this because catholic, women, and church time babey. also because it was always one of my favourite hymns growing up (because, in case you couldn't tell from half of the mains being raised catholic and lowkey fucked up because of it, i was raised catholic)

and then we SMASH CUT to "r u mine?" by arctic monkeys, a sad british teen staple, as we see bree wake up in josh's bed for the first time and take the "walk of shame" to get to church. it's about the "i go crazy 'cause here isn't where i wanna be", introducing the Mental Illness, bree's want to get out of where she's from and go to a good uni, and her literally not wanting to be in some strange guy's bed in one line. am I reading too much into this? hell yeah. but it's my show, so i can read as much as i want!!!! (also "satisfaction feels like a distant memory" is both about her depressive states and josh not being able to make her orgasm <3)

AND THEN!!!!!!!!!! we get "all i really want" by alanis morissette, the beginning of my season 4/jlp parallel hyperfixation. it's about bree kinning frankie healy and "do i stress you out?" being her @ audrey. and just bree voice "it would knock me to the floor if i wasn't there already / if only i could hunt the hunter". it's just a perfect teen angst song and it's perfectly grungy and brianna-y.

AND THEN!!!!! we get "kiwi" by harry styles playing as bree slow mos by herself down the street. it's about the just hot girl energy of the song and also the romanticization of unhealthy behaviour because that's bree, baby!!!! also we get more of the word "crazy" because of bree's internalised ableism, and we also get the chorus of "i'm having your baby, it's none of your business", foreshadowing her unplanned pregnancy done by josh, who we saw in the last scene.

AND THEN!!!!! we get "chandelier" by sia as bree and the girls have a fun party moment, but bree is still Fucked Up mentally by seeing annabell and also men being creepy. it's about the using alcohol and drugs to push away your feelings because you have a lot of trauma and have internalised ableism and have no idea how to get the help you need without being vulnerable, which terrifies you so So much. also we see that bree forgot to take her meds in this scene, which i couldn't explicitly say in the scene because spoilers, but it's a fun thing.

then we get dodie's cover of "when the party's over" by billie eilish because i like the soft piano vibes of it as bree walks home after the party, because we always see bree as "the party girl", but the party's over now and we see her petting her cat, making sure her brother's home safe, taking off all her makeup and pretty clothes, completely non sexualised, and just getting into bed to sleep because she's just So Tired. also it's about bree pretending she's happy on her own, but she's Not, she has a lot of self loathing and deeply loves her friends more than anything. also a bree/rori moment with "call me friend but keep me closer".

episode two

we open with an audition sequence!!!!! because i'm a theatre kid and love a good audition sequence!!!!

we get rori singing "sexy" from mean girls, because it's a very rori show (pink aesthetic, fun female characters, a funny time), and because it's a very maureen from rent song. also rori is just a very funny person and also has a sick high belt in my mind. also it's about her learning to like the way she looks, slowly but surely. it's also a song about changing who you are, which is a very skam brighton theme.

and then we get al singing "vienna" by billy joel, but the shortened version they did in smash, but he also plays the piano like ben platt in the politician because he's a basic white theatre boy. it's also just a beautiful song about growing up and maturing, and also "if you're so smart, then tell me why are you still so afraid?" is a very bree line. 

(also, the part where josh calls milo his "kid cousin" and then bree's like "yeah, milo's the same age as me" but josh ignores it…… creepy!!!!! bad!!!!!! also, side note, milo is canonically genderfluid and uses different pronouns depending on the day, which is why they change throughout the season.)

and then!!!! we get annabell singing "hallelujah" by leonard cohen, which is just a stunning song, we all know this. it's a song about faith and doubt and it's also a parallel to rori's happy go lucky song, which annabell's being slow and sad instead. also they're jewish and gay and lovely. and then the jeff buckley cover plays over the next scene because it's Good.

and then we get "feel it still" by portugal. the man as the girl squad text. it's just a fun song and the line "i'm a rebel just for kicks" is great from brianna "rebel girl by bikini kill" holland.

and then, swiftie nation, we get “new romantics” by taylor swift as bree agrees to go out with josh because she’s being self destructive. like the fact that she says yes to him as the line “we’re all bored / we’re all so tired of everything” plays say it all. and just the whole song is very bree core, as a whole, also it’s a really fucking good song. i am a 1989 (deluxe) stan.

and then we fade away with “vienna” by billy joel because it is such a good song god bless <3

episode three

WE!! OPEN!! WITH!!! “tik tok” by ke$ha because it is genuinely one of the best songs of our generation, and also it’s just a very shopping centre song. i don’t know why but it Is.

AND THEN!!!!!!!!! we get genuinely one of my favourite songs that i’ve been waiting to find the right scene for ever since i first heard it. “dog bite” by stella bridie is just genuinely a stunning song that really Gets bree’s character as a whole, especially the first lines “putting on lipstick in the bathroom at the doctor’s  / i got a party after this blood test”..... the whole Need to be perform feminity whilst doing something as simple as going to the doctor’s as bree draws herself and tries to make herself look perfect because she believes her only self worth comes from her body and just….. the vibes. immaculate.

and then we get “ophelia” by marika hackman, another beautiful song, as we see bree self destructively look through all of the cyber bullying that’s happened to her in the past as a way of emotional self harm. it’s just a genuinely depressing scene with a good song underscoring it.

but then we cut to rori and brianna out for a jog together - because both have issues with their self image, but also because they’re friends and like to do things together - as “it’s nice to have a friend” by taylor swift plays. it is a very homoerotic song, with a lot of childhood friends to lovers vibes, which is kind of what we’re going for here. they are both very deeply sad but also it is nice to have a friend and have someone there for you when you find out the cast list of the musical you auditioned for and you can hug them…….

and then!!!!! we get “...ready for it?” by taylor swift as we get another party sequence because it’s a fucking banger and also brianna is Very reputation as a person, which will be shown with some other taylor songs throughout the season. also it’s kind of a “are you ready for it?” for the Deeply Sad scene that follows the fun party sequence, because this is skam brighton, and i will always write scenes of people being sad outside/after parties.

episode four

we begin with “harlem” by new politics as bree, annabell and dean hang out at the shopping centre and fuck around in clarie’s. it’s about a funky song and about the recurring line of “like you, like me, like everybody else” of the three of them all having their mental illnesses in common and bree simultaneously feeling happy that she can be open about it, and deeply uncomfortable that she has to be open about it.

and then we get “crush on you” by elijah who as bree scrolls through instagram and looks at two pictures - one of annabell and one of rori and nick, and when she likes the picture of rori and nick, she literally taps over nick’s face so that she can just look at rori <3 it’s about the bree being a bicon.

and then we get the theatre club watching rent as a fun time!!!! we get tune up #1 and voicemail #1, just iconic numbers. we get theatre kid supreme al knowing all of the words, cool guy james doing his air guitar, and when the line “let her be a lesbian” is sung, we get annabell cheering and rori awkwardly looking away because she has internalised homophobia.

(side note, one of my favourite aspects of this season is that it’s a subversion of the past three, where we’ve seen sandy, liz and jake deal with their internalised struggles with their sexualities, but with bree and rori, rori’s the one dealing with her sexuality, while bree is in love with her quietly)

AND THEN!!!!! we open clip 5 with the iconic skam verse song “call your girlfriend” by robyn as the girl squad show up at a house party and bree and rori have a homoerotic moment

and then!!!!!!!!!!!! a moment of skamverse wlw solidarity, “blush” by rhiza plays as rori and bree kiss in the bathroom. a) because it’s a good song and b) because the whole “she's just a friend, you know, but sometimes yeah i wanna kiss her, uhm but that's just 'cause she's cute right? that don't make me gay, it's not like i like other girls like i only like her, i mean no, i'm not gay, right?” part is really summing up what rori’s going through in this scene. also the song is just a bree song. 

episode five

WE OPEN WITH!!!!!! an iconic moment, if i may say so myself. an iconic wlw song, “boyfriend” by marika hackman, plays over bree and nick out partying. like it opens with the lyrics: “i've got your boyfriend on my mind / i think he knows you stayed with me last night” and then we get “it's fine 'cause i am just a girl / ‘it doesn't count’”. i mean. come on.

we then get a snippet of “rent” from rent in a rehearsal, with the lines: “how do you leave the past behind / when it keep finding ways to get to your heart” and “how can you connect in an age / where strangers, landlords, lovers / your own blood cells betray / what binds the fabric together / when the raging, shifting winds of change / keep ripping away”, which all really relate to brianna with her trying to bury her past traumas and and how she struggles to connect and also struggles with change - and the reference to fabric in the line when she’s the person who does the costumes for the show.

and then we get “pynk” by janelle monae as bree and annabell go charity shopping together and have a nice time. It’s just a fun wlw song and i like it. also it’s boppy and happy and kind of dreamy to show how their relationship is very on the surface and not as deep as it once was and they’re not really going to get that back so it’s just really awkward. 

AND THEN!!!! we get bree panicking because she’s getting creepy messages from josh so she runs to hang out with the girl squad and works on her drawing of them, focusing on rori as “head over feet” by alanis morissette plays. this is kind of a contrast to “pynk”, with it being a song that uses real instruments as opposed to the more electro feel of “pynk” to represent the two different relationships. also the lyrics “you treat me like i'm a princess / i'm not used to liking that” and “you've already won me over in spite of me / and don't be alarmed if i fall head over feet / and don't be surprised if i love you for all that you are / i couldn't help it / it's all your fault” are just Incredibly rori/brianna.

and then we get “hand solo (acoustic)” by marika hackman as we get a brief scene of bree masturbating to some not very healthy p*rn. i was hesitant to include this scene, out of fear of over-sexualising bree as a bisexual girl of colour, but then i thought i had to include the scene from a non-sexual stand point - to show how bree uses sex, even in her own mind when she’s alone, as a self destructive thing, and to show that masturbation is a normal thing to do, but also it’s a hint that bree’s state is getting a bit more manic than usual, so she’s getting more hypersexual. also for the catholic guilt of her stopping and looking up to see the cross above her bed.

when then get ortopilot’s cover of “basketcase” by green day, which is more of an acoustic version of the song. the song itself is just a Very mental illness song and just has a lot of vibes of guilt with it, and the beat of the song is very quick and manic in itself.

we then get “every breath you take” by the police playing over bree and josh’s Scary text conversation in the fish n chip shop, because it’s a creepy stalker song with Pleasant Music over it, which is kind of the Vibe i was going for with josh. also, the season came out around the same time as skames season 3, and seeing the parallels between josh and miquel, with josh being very emotionally distant and miquel being very emotionally close, but both of them having the same goal in mind and end result was very interesting to me. also both of them being very creepy old guys who should stay away from teenagers <3

but then. oh but then. we get a moment that is genuinely one of my favourites. we get the broadway cast version of “forgiven” by alanis morissette, another one of my favourite songs. i chose the broadway version because i prefer the quieter orchestration and the build up to the chorus instead of going all in on it so quickly. i chose this song because bree does parallel frankie from jlp, yes, but she also parallels mj in the fact that she’s repressing her trauma from being sexually harassed and assaulted by adult men ever since she was a child. and the song itself is very beautiful and bree core, with lyrics such as “my brothers, they never went blind for what they did / but i may as well have / in the name of the father, the skeptic and the son / i have one more stupid question” and “we all had our reasons to be there / we all had a thing or two to learn / we all needed something to cling to / so we did”. we also see bree seeking refuge in a church after being harassed by josh, because religion is the place where she genuinely feels safest, but she also doesn’t feel safe, as a bisexual woman in the catholic church, but she also knows in her heart that she is loved by god. 

episode six

WE! OPEN! WITH! “motion sickness” by ms phoebe bridgers plays as bree wakes up at liz’s house the next morning - a song literally about a shitty older man - and then bree is literally sick in the bathroom, claiming she has food poisoning from the strange fish they got last night because she couldn’t go to their usual place out of fear. but, in reality, this is morning sickness from her pregnancy, because she had sex with josh for the first time 6 weeks prior.

and then we get a scene of bree in a manic state rapidly working on costumes as “my body’s made of crushed little stars” by mitski plays. this scene is directly inspired by me in what i believe to be a manic episode staying up until 5am writing because i thought that if i stopped i would forget everything that i was thinking and never write anything good again. fun times. but also just the fast pace of the song and the very depressing lyrics and the whole “i’m not doing anything” playing over bree doing So Many Things…..

we then get a lot of silence because it’s Emotion Time, but then!!!! we get a moment very pleasing to be, “unprodigal daughter” by alanis morissette playing as bree goes to buy a pregnancy test. the song itself is just one of my favourites, and it’s also about bree kinning ms frankie healy (having a “perfect” white older brother, having an intense relationship with your mother, being artistic and into english, being bisexual and just really cool), but it’s also a song about choice and the singer choosing herself and who she wants to be and having hope for the future and wanting to run away. also the line “i’d invite you but i’m busy being oppressed” once again being used in regards to a young bisexual girl of colour….. genuinely one of my favourite lines ever written. the power it has.

and then. bree finds out she’s pregnant via the tests. and “oh no!” by marina begins to play, because skam brighton is a comedy show, but also skam brighton is a show for depressed british-ish teenagers. bree copes with this Really Fucked News by deciding to go and get wasted because that’s her favourite method of dissociation. also the song is just very bree as a whole, with the wanting to change and the “i'm now becoming my own self-fulfilled prophecy” after her making fun of her cousin’s pregnancy in the first episode.

and then we get “bubblegum bitch” also by marina as bree goes out to drink. it’s there to represent how bree is trying to force herself to get into her familiar role of the fun bitchy party girl, but it’s not working because she’s just really fucked, but she’s trying her best.

BIG TW FOR SEXUAL ASSAULT

and then “you are going to hate this” by the frights plays as josh and bree dance together, and we see josh giving her more and more drinks, getting her purposefully drunk as she gives into it, wanting the release being drunk gives her, not realising that he could be doing something bad to her because she’s so distracted by a) the alcohol and b) the fact that she’s fucking pregnant and doesn’t know what to do about it.

and then we get “seventeen” by sharon van etten as josh begins to assault brianna. i first heard this song in sex education, where it played as a group of girls supported their best friend after she was sexually harrassed on the bus, and i wanted to use it here as kind of a parallel to that, but also as a reminder than bree is seventeen years old, a child, and josh knows this, purposefully got her drunk and is assaulting her, because he is a disgusting human being.

episode seven

we open with “interlude iii” by tessa violet, as bree wakes up and leaves josh’s bed again, a parallel to the first clip of the season, but this time we saw the before that presumably happened. it’s just a really pretty song that vibes with the lonely emptiness of the scene.

and then we get “the ballad of mona lisa” by panic! at the disco as bree walks into school. it’s just a really vibey bree song, and the whole “i’d pay to see you frown” line is just about the always masking around people and never showing your real emotions. 

we then get “out tonight” from rent, but the movie version, purely because i just prefer the music production on that version. it just slaps. also, i just used this scene to talk about my love for my interpretation of mimi marquez. she’s just a teenager with a lot of problems who needs proper professional medical help, very much like bree. also, i have always seen “out tonight” as mimi having a manic episode and using the number as a distraction from her actual problems (literally what bree is doing) and i love her. (also the scene of bree watching the scene from the movie and having gay panic is just an Iconic moment)

we then get “funeral” by phoebe bridgers as bree lies in bed, deeply depressed and barely able to move. it’s just about a beautiful and deeply sad song. like all of the lines just vibe really hard with bree and the deep loneliness and emptiness of the song, and the underlying panic really outline bree’s actual emotional state.

and we end with the titular song of the episode, “will i?” from rent. i chose this song because, despite it being very repetitive, it’s always been deeply meaningful to me. and the only lines being “will i lose my dignity / will someone care / will i wake tomorrow / from this nightmare?” playing after bree talked about having to deal with her pregnancy, and following the dream imagery used in funeral, because all of the music Is connected…….. quite genuinely one of my favourite moments, because it’s so understated

episode eight

we begin the music of this episode with “everything i own” by the front bottoms - just a really fucking sad song for a really fucking sad time in bree’s life. with like like “just try to appreciate what you got while you got it” and “sometimes i don't feel like singing / i don't really like these songs / sometimes i don't feel like dancing / dj please, don't turn the beat on / let's keep it quiet, keep me honest, keep me true” just really vibing with her.

and then we get “even my dog” by kathryn gallagher, another one of my personal favourite songs, as bree walks through the hospital. first of all, kathryn gallagher’s character in jagged little pill, bella, does parallel bree quite a lot - being from a poor family, being talented at art, being slut-shamed by her school and dealing with the trauma of being sexually assaulted. the song itself has lyrics describing depression, with lines like “i don’t know how i’m gonna get better / i just know that i’m supposed to / i don’t know how i’m gonna get better / but i’ll tell you i’m good ‘til i believe it too” and “everybody wants me to be happy / everybody wants me to be” and “i can feel it / the life i knew before you / it’s beautiful to be so naive” which i feel just Really fit bree and her situation

then we get a little bit of “musetta’s waltz” played by james, because it’s a rent thing, and rori sings a bit of “over the moon” because it’s a maureen song and i just wanted to include it for a little bit of fun in the hell week

and then. oh and then. we get the funeral scene from rent and “i’ll cover you (reprise)” performed by milo and everyone else. the reason i chose this song is because a) it’s one of the most beautiful and heart wrenching songs in musical theatre canon, and b) i wanted to use the imagery of a funeral to show bree quietly making the decision in her head to go through with the abortion, even though she has many doubts. and the line “a new lease you were, my love / on life” is about the baby bree might have had may be being her ticket to a new life, the way she was for her mother, but bree knows that’s not what she wants and not what she can handle right now. and the moment bree finally break is the climax of the song, the moment death is said out in the open “when your heart has expired”. she hears that, is struck by the reality of what she wants to do, and just runs because it’s a lot for any person, let alone a seventeen year old, to handle.

and then we get the girl squad picking bree off the ground, quite literally, and helping her go to the doctor, all of them together, as “sign of the times” by harry styles played. all of the girls are involved, organising rides and where to go and comforting bree, and al’s staying behind, doing ground control at the rehearsal, because al and bree are siblings and they love each other god damn it. ans the song itself is just. simply epic. and the lines “you look pretty good down here / but you ain't really good” really get to where bree is in regards to her self image and it’s about her finally opening up and accepting help and doing what’s right and good for her, not being self destructive or doing things for someone else.

episode nine

we open with a slowed down piano cover of “knee socks” by the arctic monkeys, simply because i liked the sound of it and it’s a quintessential sad british time, but it’s also about girls being pretty.

and then we get one of my favourite songs from rent being sung by bree, “without you”. it’s a genuinely beautiful song about addiction and the struggles that people can go through with it. the song has a double meaning to bree, as she’s been struggling with her alcohol abuse problems recently and going clean, but the song is also about bree imagining life without her hypothetical child. “but i die / without you” is how bree is seeing it, still thinking she’ll be rejected by her mother, and partially by god, if she goes through with it, but the song goes on. she knows the world will go on without her child, but she’s unsure of how she’s going to be after the child is gone. (we also see james come in and sing too, as he plays roger, but him singing is also a reference to him dealing with his own addiction, as mentioned before in this season, to nicotine).

we then get “you gotta be" by des'ree playing as we go from bree getting herself together after josh gets fired to bree and her mother sitting together and watching ladybird. i wanted ladybird to be playing because it’s a very bree movie, in my opinion, and the “give me a number” scene playing is a really good feel, for me, of what it’s like to be a working class child and feeling the need to pay back your parents, which is something bree also feels immensely. and the song has lyrics such as “challenge what the future holds / try and keep your head up to the sky / lovers, they may cause you tears / go ahead release your fears” and “stand up and be counted / don't be ashamed to cry” and “you gotta be tough, you gotta be stronger / you gotta be cool, you gotta be calm / you gotta stay together / all i know, all i know, love will save the day”, which just really vibe with where bree is in this scene, trying to figure out all the things she has to be and can be and the whole thing about standing up is just very bree, because, despite us seeing her insecurities and weaknesses, she’s always been a confident person 

and then we get a scene that i wrote just to make myself cry. bree gets her hair cut by her mother after deeply connecting to her as “slipping through my fingers” by abba plays. it’s a song about a mother watching her daughter grow up and trying to stay close to her despite her always growing and changing, which is how i see audrey. she’s a woman full of love and she will do anything to support her daughter and make her happy, and it took bree until now to see it. and then we see bree’s hair literally slipping through audrey’s fingers, because haircuts are often used as a way to regain control over one’s life, and i’ve used bree’s hair throughout this season as a way to represent her trauma. when she gets morning sickness, she throws up in her hair. josh pulls on her hair when he assaults her. her cutting her hair off is a metaphor for her cutting off her trauma, but then from the hair cutting we transition to:

the abortion clinic, where “soon you’ll get better” by taylor swift and the chicks is playing. a song where a daughter sings to her mother to get better, and we see a mother supporting her daughter as she gets ready to go through surgery. the song itself, though, feels more about bree’s mental health than her physical state. she knows that through this surgery, she will ultimately end up better, but it’s going to take a lot of time.

and then as bree and audrey sit at home, they watch another movie: this time “grease”, representing bree’s desire to get back to her younger, happier self.

and then. we get “wake up” by alanis morrissette as bree gets ready for the rally in support of sexual assault survivors. a song, when used in the jlp musical, is used to talk about how it’s easier to not stand up and speak out against sexual assault. with the line “it’s so much easier not to / and what goes around never comes around to you” being used in regards to the cishet abled white man who will never get back all of the harm he puts out into the world, but we see bree reclaiming the song and her own body, putting on makeup in a way that makes her happy and marching out to the streets as it plays, focusing on her and only her

episode ten

WE OPEN WITH!!!! a moment most pleasing to me - “i did something bad” by taylor swift playing as the girl squad slow mo down the street together, a united front. i chose this song because it’s literally about society saying a woman did something bad, but she doesn’t give a fuck and wishes that she could do it again, which is how bree feels about fucking up a rapist’s life. also, once again, bree rolling a nat 20 on her deception roll as she gets proof of josh having the pictures of her on his phone by pretending to be the manic pixie damsel in distress josh wanted….. and we also get josh using the term “witch hunt”, the same phrase bryan used when he went off on bree, to show that they’re both the same character archetype, but in different flavours (bryan coming in asshole jock and josh coming in adult man incel).

(note: i also wanted to include the girl squad in this scene, because in the og when noora when to go meet nikolai on her own i was just. So Scared for her because she had No One. also, fun fact, i included the fact that the squad call nick “nickolai” as a nickname in season 2 so maybe there would be a theory that he would be nikolai, but i was just playing 4d chess with myself and he’s just a nice guy)

and then we get “seasons of love” from rent, which is, yes, a basic theatre song, but you can’t deny how good it is. and the whole “minute” thing in it lining up with the “minute by minute” iconic skam speech, and we get annabell on the big soloist lines because they’re the person who also heard the “minute by minute” speech before from the same place as bree, because it was said in their group therapy…. and it also parallels “i’ll cover you (reprise)” with them all standing in a line, but this time bree stays because it’s about love and being supported by your friends and not being sure if you’re okay, but knowing there’s always a safe place for you to go where you’re loved.

(also, we get a throwback joke of sandy, once again, being surprised by how strangely sexual all of these musicals are. i love her so so much)

and then!!!!! we end the episode with rori and bree confessing their feelings for each other and kissing for real for the first time, and it ends with “dress” by taylor swift playing. literally just the most homoerotic song, and the whole “i don’t want you like a best friend” line…… they deserve to be in love with each other and i have been building up to them finally admitting it for four seasons. literally the longest slow burn i’ve ever written. 

episode eleven

WE! OPEN! WITH! “watch you sleep” by girl in red, a song i discovered in 2018 and wanted to save for a good moment, and then the whole “do you listen to girl in red” thing exploded, so. (james from derry girls voice) i support wlw, though i myself am not wlw. also it’s just a really sweet song that i like a lot. and we’ve seen bree wake up a lot at the beginning of episodes, and we see her wake up from a nightmare this time, and she calms down instantly when she realises she’s home and with rori…..

and then we get a moment MOST PLEASING to me!!!! we have canon swiftie alistair fletcher streaming “daylight” by taylor swift in the bathroom as bree and rori wait for him to be done. and then they start to dance together to it, with them referencing rent before they start dancing, and rori begins to sing along because rori, as a character, has such “lover” energy. and we get rori singing “i once believed love would be black and white”, which is a reference to her and james’s relationship, with her thinking it would be simple and easy, and then “i once believed love would be burning red”, with her and nick’s quick, passionate relationship “but it’s golden like daylight” and we see her and bree together, calm, best friends who are now lovers, no big dramatics, no fireworks, just two people who care so deeply about each other, holding each other, having seen each other at their worst and still adoring them with every part of their being. and we get the “you’re so pretty”, “no, you”, “no, us” exchange, which is just saying “stop comparing yourself to other girls, just be in love with them and yourself”

and then we get “number one fan” by muna, which is just a really fun boppy song, and just big bree core. with lines like “so i heard the bad news / nobody likes me and i'm gonna die alone / in my bedroom / looking at strangers on my telephone / well, wouldn't you? / wouldn't you like if i believed those words?” is showing her development, going from believing all of the bad shit people say about her, both online and to her face, and standing up for herself and believing in herself

(fun fact, there was originally a clip in this episode where we see bree going to the police about josh, but as i was getting closer to publishing it, i thought “fuck that, i’m not giving them any screentime”, and just gave bree some fun exposition about reporting josh to his school)

so we get “icu” by phoebe bridgers as bree’s walking down the street, just vibing, very happy because she just got her rapist expelled from his university. we get lines like: “and i get this feeling / whenever i feel good / it'll be the last time” which vibes with my perception and bree and her relationship with her mental health, which is currently, in the episode, in a good place because of goos things happening, but she knows that it’s going to come back down eventually, but she’s prepared for it now, she’s not as scared of herself anymore

then we get al’s film of the rehearsal process - which is, once again, him using art and music as a way of expressing his love - as “heroes” by david bowie plays. this is a direct reference to “the perks of being a wallflower”, a very inspiring piece of media to me, writing wise. the film that al makes is just a love letter to being teenagers and making art and noise in a world where people are constantly telling you to shut up.

and then, following two deeply philosophical speeches i wrote at 3am one night, we get the last 15 minutes of act one of a musical because it’s my show!!!!!! and if i want to have a character yell about love and then sing a song i can!!!!!

we begin with “la vie boheme”, the iconic act one closer of rent. quite genuinely, this song has the same meaning here as it does in rent, only with the added layer of “this is the last clip, so we’re just all having a fun happy ending” on it, so i’m just gonna be talking about my favourite fun parts of it.

we got al and bree sharing a laugh as al sings “not to mention, of course / hating dear old mom and dad”; we got al high-fiving jake as he talks about “fruits”, because they’re both gay; we got one of my favourite lines: “to being an us for once instead of a them”; we got milo and bree messing around because i love their friendship; we got bree and nick singing a verse together; we got al making it canon that mark cohen gets pegged with the “mucho masturbation” line; we get rori making eye contact with bree while she kisses another girl, because we love a call your girlfriend reference and we love her character development; we get james finally perfecting “musetta’s waltz”

and then we get “i should tell you”, a song i hated upon first watch of rent, but now i love it so so much. while james and bree are singing it together as roger and mimi, bree is very much dedicating the song to rori, because it’s a song about being scared of starting a relationship but doing it anyway because you’re learning to trust the other person. we also see audrey and patrick in the audience, both so happy and supportive of their children, because i love them so much. i love all of the parents, but audrey is definitely my personal favourite so fa.

and then!!!! we begin “la vie boheme b”, literally one of the biggest bangers of musical theatre history. 

we get rori singing the first fast verse, literally raising a middle finger to the idea of perfection and eating disorders, because while those ideas may be a part of her life, she’s happy to say “fuck you” to them; we get nick voguing to the camera as he sings his fast verse, goofing around like usual; and then we get milo yelling out their verse to the audience, serious, because they genuinely believe in the words they’re saying

then we get the cast all yelling out their lgbt identity in the form of a reclaimed slur. i also changed this part of the show because there’s two terms referring to lesbians in the song and i wanted to a reference just for bisexual people. 

then we begin to shift all focus away from bree and her story, beginning to move onto nick, as he and james dance together as al yells out the title line of the episode: “the opposite of war isn’t peace, it’s creation”. and i decided to edit the closing monologue because i felt that it placed too much focus on roger and mimi’s romance and wanted to end the season with a focus on revolution and positive social change, ending with the line: “the riot goes on and on and on and on…”

and then we end the season with the line “we will now take a short intermission” as nick looks into the camera, because it’s time for a break between seasons babey!

and that’s another well over 10k essay on my music choices!!!!! also, as of writing this, i have officially finished production on skambr season 5!!!! i’m way ahead of schedule, which is really good for me, and the trailer will be coming out in about a month’s time!!!! until then, thank you for reading my infodump <3